The Time Machine
The Time Machine is a science fiction novella by H. G. Wells, published in 1895. The work is generally credited with the popularization of the concept of time travel by using a vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device.

Utilizing a frame story set in then-present Victorian England, Wells' text focuses on a recount of the otherwise anonymous Time Traveller's journey into the far future. A work of future history and speculative evolution, Time Machine is interpreted in modern times as a commentary on the increasing inequality and class divisions of Wells' era, which he projects as giving rise to two separate human species: the fair, childlike Eloi, and the savage, simian Morlocks, distant descendants of the contemporary upper and lower classes respectively.[2][3] It is believed that Wells' depiction of the Eloi as a race living in plentitude and abandon was inspired by the utopic romance novel News from Nowhere (1890), though Wells' universe in the novel is notably more savage and brutal
1116614876
The Time Machine
The Time Machine is a science fiction novella by H. G. Wells, published in 1895. The work is generally credited with the popularization of the concept of time travel by using a vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device.

Utilizing a frame story set in then-present Victorian England, Wells' text focuses on a recount of the otherwise anonymous Time Traveller's journey into the far future. A work of future history and speculative evolution, Time Machine is interpreted in modern times as a commentary on the increasing inequality and class divisions of Wells' era, which he projects as giving rise to two separate human species: the fair, childlike Eloi, and the savage, simian Morlocks, distant descendants of the contemporary upper and lower classes respectively.[2][3] It is believed that Wells' depiction of the Eloi as a race living in plentitude and abandon was inspired by the utopic romance novel News from Nowhere (1890), though Wells' universe in the novel is notably more savage and brutal
4.85 In Stock
The Time Machine

The Time Machine

by H. G. Wells

Narrated by Christopher Saylor

Unabridged — 3 hours, 19 minutes

The Time Machine

The Time Machine

by H. G. Wells

Narrated by Christopher Saylor

Unabridged — 3 hours, 19 minutes

Audiobook (Digital)

$4.85
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $4.85

Overview

The Time Machine is a science fiction novella by H. G. Wells, published in 1895. The work is generally credited with the popularization of the concept of time travel by using a vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device.

Utilizing a frame story set in then-present Victorian England, Wells' text focuses on a recount of the otherwise anonymous Time Traveller's journey into the far future. A work of future history and speculative evolution, Time Machine is interpreted in modern times as a commentary on the increasing inequality and class divisions of Wells' era, which he projects as giving rise to two separate human species: the fair, childlike Eloi, and the savage, simian Morlocks, distant descendants of the contemporary upper and lower classes respectively.[2][3] It is believed that Wells' depiction of the Eloi as a race living in plentitude and abandon was inspired by the utopic romance novel News from Nowhere (1890), though Wells' universe in the novel is notably more savage and brutal

Editorial Reviews

Library Journal

Two of Wells's sf masterpieces get the red carpet treatment here. These "critical text" editions contain the full text plus annotations, indexes, appendixes, and bibliographies. Though these editions are pricey, Wells's works deserve serious consideration. Libraries should at least stock up on a few extra budget paperback copies of Doctor Moreau to meet demand generated by a forthcoming film remake starring Marlon Brando and Val Kilmer.

School Library Journal

Gr 4-7-The St. Charles Players perform this readers' theatre-style rendition of H.G. Wells' classic story. Using appropriate sound effects and alternating readers allows listeners to differentiate between characters and to develop a sense of place and time. The lively narration will hold listeners' attention from beginning to end. The story begins with a revolutionary Victorian scientist who claims to have invented a machine that allows him to travel through time. Using flashbacks, he recounts his adventures in the futurist world he visits in his time machine to a group of skeptical friends. This abridged version will work well as an introduction to classic literature in elementary grade classes, but omits too much of the original text for older students. Consider adding this title to audiobook collections that focus on classic, time-tested literature.-Sarah Prielipp, Chippewa River District Library System, Mt Pleasant, MI Copyright 2001 Cahners Business Information.

From the Publisher

[Wells] contrives to give over humanity into the clutches of the Impossible and yet manages to keep it down (or up) to its humanity, to its flesh, blood, sorrow, folly.” —Joseph Conrad

Robert Silverberg

Every time-travel story since The Time Machine is fundamentally indebted to Wells.”

Joseph Conrad

[Wells] contrives to give over humanity into the clutches of the Impossible and yet manages to keep it down (or up) to its humanity, to its flesh, blood, sorrow, folly.”

Stephen Baxter

The savage brilliance of the young H. G. Wells—and the greatest science ficiton novel ever written.”

Merriam-Webster Encyclopedia of Literature

[The Time Machine] is considered one of the earliest works of science fiction and the progenitor of the ‘time travel’ subgenre.”

SEPTEMBER 2014 - AudioFile

Simon Prebble is the ideal narrator for one of the first science-fiction novels ever written. He captures the atmosphere as well as the accents and personalities of the men to whom the Time Traveler--he has no other name--shares his astonishing story of a time machine that takes him more than 800,000 years into the future. Listeners will feel that they’re with the Time Traveler as Prebble describes a future England and the bizarre people he encounters. Prebble’s pacing and conversational style are just what's needed for this amazing saga. Audio makes the incredible story seem almost real. S.G.B. © AudioFile 2014, Portland, Maine

Product Details

BN ID: 2940174958128
Publisher: Loudly
Publication date: 07/12/2022
Edition description: Unabridged
Age Range: 12 - 17 Years

Read an Excerpt

CHAPTER I

THE Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere, when thought runs gracefully free of the trammels of precision. And he put it to us in this way - marking the points with a lean forefinger - as we sat and lazily admired his earnestness over this new paradox (as we thought it) and his fecundity.

"You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception."

"Is not that rather a large thing to expect us to begin upon?" said Filby, an argumentative person with red hair.

"I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions."

"That is all right," said the Psychologist.

"Nor, having only length, breadth, and thickness, can a cube have a real existence." "There I object," said Filby. "Of course a solid body may exist. All real things -"

"So most people think. But wait a moment. Can an instantaneous cube exist?"

"Don't follow you," said Filby.

"Can a cube that does not last for any time at all, have a real existence?"

Filby became pensive. "Clearly," the Time Traveller proceeded, "any real body must have extension in four directions: it must have Length, Breadth, Thickness, and - Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives."

"That," said a very young man, making spasmodic efforts to relight his cigar over the lamp; "that . . . very clear indeed."

"Now, it is very remarkable that this is so extensively overlooked," continued the Time Traveller, with a slight accession of cheerfulness. "Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it. But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?"

"I have not," said the Provincial Mayor.

"It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly - why not another direction at right angles to the other three?- and have even tried to construct a Four-Dimensional geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of three dimensions they could represent one of four - if they could master the perspective of the thing. See?"

"I think so," murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. "Yes, I think I see it now," he said after some time, brightening in a quite transitory manner.

"Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing."

"Scientific people," proceeded the Time Traveller, after the pause required for the proper assimilation of this, "know very well that Time is only a kind of Space. Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognised? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension."

"But," said the Medical Man, staring hard at a coal in the fire, "if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?"

The Time Traveller smiled. "Are you so sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there."

"Not exactly," said the Medical Man. "There are balloons."

"But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement."

"Still, they could move a little up and down," said the Medical Man.

"Easier, far easier down than up."

"And you cannot move at all in Time, you cannot get away from the present moment."

"My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the present moment. Our mental existences, which are immaterial and have no dimensions, are passing along the Time-Dimension with a uniform velocity from the cradle to the grave. Just as we should travel down if we began our existence fifty miles above the earth's surface."

"But the great difficulty is this," interrupted the Psychologist. "You can move about in all directions of Space, but you cannot move about in Time."

"That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilised man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?"

"Oh, this," began Filby, "is all -"

"Why not?" said the Time Traveller.

"It's against reason," said Filby.

"What reason?" said the Time Traveller.

"You can show black is white by argument," said Filby, "but you will never convince me."

"Possibly not," said the Time Traveller. "But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine -"

"To travel through Time!" exclaimed the Very Young Man.

"That shall travel indifferently in any direction of Space and Time, as the driver determines."

Filby contented himself with laughter.

"But I have experimental verification," said the Time Traveller.

"It would be remarkably convenient for the historian," the Psychologist suggested. "One might travel back and verify the accepted account of the Battle of Hastings, for instance!" "Don't you think you would attract attention?" said the Medical Man. "Our ancestors had no great tolerance for anachronisms."

"One might get one's Greek from the very lips of Homer and Plato," the Very Young Man thought.

"In which case they would certainly plough you for the Little-go. The German scholars have improved Greek so much."

"Then there is the future," said the Very Young Man. "Just think! One might invest all one's money, leave it to accumulate at interest, and hurry on ahead!"

"To discover a society," said I, "erected on a strictly communistic basis."

"Of all the wild extravagant theories!" began the Psychologist.

"Yes, so it seemed to me, and so I never talked of it until -"

"Experimental verification!" cried I. "You are going to verify that?"

"The experiment!" cried Filby, who was getting brain-weary.

"Let's see your experiment anyhow," said the Psychologist, "though it's all humbug, you know."

From the B&N Reads Blog

Customer Reviews