See What I Have Done

See What I Have Done

Unabridged — 9 hours, 44 minutes

See What I Have Done

See What I Have Done

Unabridged — 9 hours, 44 minutes

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Overview

Lizzie Borden took an ax
And gave her mother forty whacks
When she saw what she had done,
She gave her father forty-one.


Or did she?


In this riveting debut novel,*See What I Have Done, Sarah Schmidt recasts one of the most fascinating murder cases of all time into an intimate story of a volatile household and a family devoid of love.

On the morning of August 4, 1892, Lizzie Borden calls out to her maid:*Someone's killed Father. The brutal ax-murder of Andrew and Abby Borden in their home in Fall River, Massachusetts, leaves little evidence and many unanswered questions. While neighbors struggle to understand why anyone would want to harm the respected Bordens, those close to the family have a different tale to tell-of a father with an explosive temper; a spiteful stepmother; and two spinster sisters, with a bond even stronger than blood, desperate for their independence.

As the police search for clues, Emma comforts an increasingly distraught Lizzie whose memories of that morning flash in scattered fragments. Had she been in the barn or the pear arbor to escape the stifling heat of the house? When did she last speak to her stepmother? Were they really gone and would everything be better now? Shifting among the perspectives of the unreliable Lizzie, her older sister Emma, the housemaid Bridget, and the enigmatic stranger Benjamin, the events of that fateful day are slowly revealed through a high-wire feat of storytelling.

Editorial Reviews

AUGUST 2017 - AudioFile

Narrators Erin Hunter, Garrick Hagon, and Jennifer Woodward perform this new imagining of the woeful tale of Lizzie Borden with pathos and empathy. The investigation of murderer Lizzie Borden’s home life before she killed her parents is told from multiple perspectives by Lizzie; her older sister, Emma; the housemaid, Bridget; and a mysterious stranger named Benjamin, all ably portrayed by this talented team. Most harrowing is the portrayal of the murder scene, with the oppressive summer heat and the gruesome sights and sounds of the scene. The narrators aid the investigation of the dysfunctional family with perfect pacing and dramatic pauses for a story that features more questions than answers. R.O. © AudioFile 2017, Portland, Maine

The New York Times Book Review - Patrick McGrath

In See What I Have Done, Sarah Schmidt has created a lurid and original work of horror.

Publishers Weekly

★ 05/08/2017
Schmidt’s unforgettable debut brings a legendary American crime to eerie new life. Four narrators recount events surrounding the 1892 murders of Andrew and Abby Borden: Lizzie Borden; her older sister, Emma; and the family’s maid, Bridget Sullivan, are within the Massachusetts home in which the deaths occurred. The fourth, a young man known only as Benjamin, is a stranger to everyone in the family but the sisters’ maternal uncle, who is visiting at the time of the tragedy. Though their interpretations of events differ, all describe roiling tensions. The manipulative, nearly feral Lizzie is forever scarred by her mother’s early death, while Emma longs for an artistic life uncomplicated by her sister’s outsized presence. Their relationship with their father and stepmother is fractured: Andrew Borden is a miserly, abusive man who thinks nothing of beheading the pet pigeons Lizzie loves, and his second wife, Abby, has never gained her stepdaughters’ trust. On August 4, family conflicts erupt in a chain of events that is as intricate as it is violent. Equally compelling as a whodunit, “whydunit,” and historical novel, the book honors known facts yet fearlessly claims its own striking vision. Even before the murders, the Bordens’ cruel, claustrophobic lives are not easy to visit, but from them Schmidt has crafted a profoundly vivid and convincing fictional world. Agent: Dan Lazar, Writers House. (Aug.)

From the Publisher

Praise for See What I Have Done

“Debut novelist Sarah Schmidt tackles the murk and silence in this old tale, imagining the cruel secrets of a respected family.” —Elle, one of 24 Best Books To Read This Summer

“[The] novel is compelling, scary—and gruesomely visceral.” —Entertainment Weekly, one of Summer’s 20 Must-Read Books

“A bloody good read . . . A taut, lyrical account of the destruction of the Borden family, both through ax murder and subtler means . . . Schmidt inhabits each of her narrators with great skill, channeling their anxieties, their viciousness, with what comes across as (frighteningly) intuitive ease. Everything about Schmidt’s novel is hauntingly, beautifully off. It’s a creepy and penetrating work, even for a book about Lizzie Borden.” —USA Today

“This palpable imagining of what led to the murder of Lizzie Borden’s parents will stay with you for as long as this historical mystery has enthralled pop culture.” —Redbook, one of the Best Summer Reads

“A gripping and still puzzling story . . . a credible imagining of a bizarre episode.” —Wall Street Journal

“This fictional retelling of the Lizzie Borden murders is a domestic nightmare . . . [with] staggeringly gorgeous, feverish prose and the thrill of deep, dark, gruesome detail.” —BookPage, Six of the Brightest New Names in Fiction

“[A] moody, atmospheric tale . . . Superb.” —Washington Independent Review of Books

“Riveting . . . See What I Have Done is a stay-up-late novel for crime and psychological suspense fans. The profiles feel spot on. The drama is intense. The fetid atmosphere of over-ripening fruit, summer heat and festering emotional wounds is not for sissies. But brace up and dive in.” —Book Browse

“A terrifically dread-inducing, claustrophobic, nightmarish immersion in a fictional version of one of the most famous crimes in American history . . . a tense psychological study of family dysfunction, painted with a vividness bordering on the hallucinogenic . . . A gripping and accomplished novel.” —Tampa Bay Times

“Schmidt makes a case in See What I Have Done that feels truthful in its emotional intensity . . . [and] sheds a different light on what once seemed an open-and-shut case.” —Portland Press Herald

See What I Have Done enters the murder house before and after that fateful August day and, with quiet intensity, creates a memorable place of horror.” —Forward Reviews (starred review)

“[A] sensual new novel . . A prickly, unsettling wonder: a story so tactile and feverishly surreal it feels like a sort of reverse haunting.” —Entertainment Weekly

“Schmidt brings to life one of the most unexpected and fascinating crimes in American History.” —Refinery 29, Best Beach Reads of the Year

“A complicated, compelling tale . . . giving fresh life to a sensational crime of old.” —Marie Claire

“Schmidt’s debut novel reimagines the crime and tells the story of a family in chaos.” —New York Post, 29 Best Books of the Summer

“[An] unforgettable debut . . . Equally compelling as a whodunit, ‘whydunit,’ and historical novel.” —Publishers Weekly (starred review)

“A dazzling debut novel that is as unsettling as the summer heat that permeates the crime scene . . . an unusually intimate portrait. There are books about murder and there are books about imploding families; this is the rare novel that seamlessly weaves the two together, asking as many questions as it answers.” —Kirkus Reviews (starred review)

“Heralds the arrival of a major new talent . . . Nail-biting horror mixes with a quiet, unforgettable power to create a novel readers will stay up all night finishing.” —Booklist (starred review)

“What better subject for a psychological thriller than one of the most notorious murders in U.S. history . . . A fresh treatment of Lizzie Borden.” —Library Journal (starred review)

“[A] gory and gripping debut.” —Guardian

“Lizzie Borden might be the archetypal transgressive female, and Sarah Schmidt has taken the 81 whacks and the parents that were dealt them and spun a mesmerising reimagining of it all . . . Schmidt writes with precision and flair about the oppressive boredom of domesticity, the twisted intensity of sisterly love and the forlorn dreams of leaving and of personal reinvention . . . A glittering, gory fever dream of a book, See What I Have Done is a remarkable debut.” —Telegraph

“This novel is like a crazy murdery fever dream, swirling around the day of the murders. Schmidt has written not just a tale of a crime, but a novel of the senses. There is hardly a sentence that goes by without mention of some sensation, whether it’s a smell or a sound or a taste, and it is this complete saturation of the senses that enables the novel to soak into your brain and envelope you in creepy uncomfortableness. It’s a fabulous, unsettling book.” —Book Riot

“Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away.” —Paula Hawkins, author of The Girl on the Train

“Everyone knows the rhyme. We’ve all heard the story. But not until you read See What I Have Done will you learn the truth behind one of the most spine-tingling horror stories of all time. In this stunning debut novel, Sarah Schmidt transforms the Lizzie Borden story from lurid infamy to flawed reality.” —Christina Baker Kline, #1 New York Times bestselling author of Orphan Train

“Sarah Schmidt’s beautifully wrought See What I Have Done is a compelling, psychologically rich take on a well-loved tale, bringing new insight into the myth of just who Lizzie Borden was. This glorious gothic novel brings to mind the work of Sarah Waters and Patrick McGrath.” —Sabina Murray, author of Valiant Gentlemen

“Haunting, evocative and psychologically taut, See What I Have Done breathes fresh life into the infamous 19th-century murder case surrounding Lizzie Borden. This is a powerful, beautifully researched debut novel that brings us into contact with the recurring American dramas of violence and retribution while summoning the beguiling voices of the past.” —Dominic Smith, author of the New York Times bestseller The Last Painting of Sara de Vos

Library Journal

★ 05/01/2017
In this novel from Australian newcomer Schmidt, we are taken inside the delusional mind of accused 19th-century ax murderer Lizzie Borden and also witness the churning interior monologs of her older sister, Emma, and the Bordens' hapless Irish maid, Bridget. We get to inhabit another character as well: a potential hit man named Benjamin, lured in by the sisters' nefarious Uncle John. Schmidt employs some unusual word choices—animals "critter" instead of walk, lamplight "rages." Not surprisingly, the prose is rife with a creepy physicality, its imagery dwelling on skin, blood, fingernails, smells, etc., although readers are spared much of the actual crime's gruesomeness. The heated narrative contributes to the sense of simmering craziness permeating the Borden household. A historical time line of actual events is appended. What better subject for a psychological thriller than one of the most notorious murders in U.S. history, and the mysterious Benjamin adds color and suspense to what might otherwise be a well-worn tale. VERDICT A fresh treatment of Lizzie Borden, highly recommended for mystery and true crime fans and others who like smart, edgy works.—Reba Leiding, emeritus, James Madison Univ. Lib., Harrisonburg, VA

Kirkus Reviews

★ 2017-05-15
A fictional reimagining of real-life murders so infamous they earned its alleged perpetrator her own playground rhyme and ax-wielders everywhere a catchy chopping song, even if the killer's guilt was never firmly established.On Aug. 4, 1892, in Fall River, Massachusetts, Andrew Borden and his second wife, Abby, were found butchered in their home, the weapon thought to be an ax, though police never found it. In a dazzling debut novel that is as unsettling as the summer heat that permeates the crime scene, Schmidt alternates the first-person narration among sisters Lizzie and Emma Borden; Bridget, the family's maid; and a mysterious man named Benjamin, whose role doesn't come into focus so much as congeal like drying blood. Tempestuous Lizzie still lives at home with her father and stepmother, whom she calls "Mrs. Borden"; their relationship is strained at best. Older sister Emma, much to Lizzie's dismay, has left Fall River to stay with a friend for a while; the symbiotic relationship between the sisters and their teetering feelings of intense love and loathing fuel much of the novel's emotional fire. Bridget, who sees everything and is seething that Mrs. Borden recently confiscated her savings, is eager to get out of the house—and Schmidt creates such a palpable sense of unease that the reader is, too. Benjamin, a passing acquaintance of the girls' uncle, burns with rage; Schmidt is careful not to lay blame for the murders directly at his feet, though his presence is vital. It's a gamble to focus almost entirely on the day leading up to the murders and the actual day of the crime rather than widening the scope to include Lizzie's well-known trial and eventual acquittal, but it's one that pays off for Schmidt, creating an unusually intimate portrait. There are books about murder and there are books about imploding families; this is the rare novel that seamlessly weaves the two together, asking as many questions as it answers.

Product Details

BN ID: 2940172138331
Publisher: Penguin Random House
Publication date: 08/01/2017
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

LIZZIE

August 4, 1892

He was still bleeding. I yelled, "Someone's killed Father." I breathed in kerosene air, licked the thickness from my teeth. The clock on the mantel ticked ticked. I looked at Father, the way hands clutched to thighs, the way the little gold ring on his pinkie finger sat like a sun. I gave him that ring for his birthday when I no longer wanted it. "Daddy," I had said, "I'm giving this to you because I love you." He had smiled and kissed my forehead.

A long time ago now.

I looked at Father. I touched his bleeding hand, how long does it take for a body to become cold? and leaned closer to his face, tried to make eye contact, waited to see if he might blink, might recognize me. I wiped my hand across my mouth, tasted blood. My heart beat nightmares, gallop, gallop, as I looked at Father again, watched blood river down his neck and disappear into suit cloth. The clock on the mantel ticked ticked. I walked out of the room, closed the door behind me and made my way to the back stairs, shouted once more to Bridget, "Quickly. Someone's killed Father." I wiped my hand across my mouth, licked my teeth.

Bridget came down, brought with her the smell of decayed meaty-meat. "Miss Lizzie, what ..."

"He's in the sitting room." I pointed through thick, wallpapered walls.

"Who is?" Bridget's face, prickly with confusion.

"I thought he looked hurt but I wasn't sure how badly until I got close," I said. Summer heat ran up my neck like a knife. My hands ached.

"Miss Lizzie, yer scarin' me."

"Father's in the sitting room." It was difficult to say anything else.

Bridget ran from the back stairs through the kitchen and I followed her. She ran to the sitting room door, put her hand on the door knob, turn it, turn it.

"His face has been cut." There was a part of me that wanted to push Bridget into the room, make her see what I had found.

She pulled her hand away from the knob and turned to me, owl eyes swooping over my face. A length of sweat trickled from her temple to collarbone. "What do ya mean?" she said.

Like a tiny looking glass inside my mind, I saw all of Father's blood, a meal, the leftovers from a wild dog's feast. The scraps of skin on his chest, his eye resting on his shoulder. His body the Book of Apocalypse. "Someone came in and cut him," I said.

Bridget was a-tremble. "What do ya mean, Miss Lizzie? How could someone cut his face?" Her voice soured, a tear. I didn't want her to cry, didn't want to have to comfort her.

"I'm not quite sure," I said. "They might have used an ax. Like taking down a tree."

Bridget began to cry and strange feelings popped across my bones. She faced the door and twisted her wrist, allowed the door to crack open an inch.

"Go get Dr. Bowen," I said. I looked past her, tried to see Father but couldn't.

Bridget turned to me, scratched her hand. "We should attend to yer father, Miss Lizzie ..."

"Go bring Dr. Bowen." I grabbed her hand, all rough and sticky, and walked her to the side door. "You'd best hurry, Bridget."

"Ya shouldn't be alone, Miss Lizzie."

"What if Mrs. Borden was to come home? Shouldn't I be here to tell her?" My teeth were cold against my teeth.

She looked into the sun. "Alright," she said. "I'll try ta be quick as I can."

Bridget ran out the side of the house, let the door hit her on the backside, a paddle, and she bobbed as she ran onto Second Street, her white house-bonnet a sail in the breeze. Bridget looked over her shoulder towards me, her face dumb with worry, and I shooed her along, my wrist a flick and crunch. She kept going, hip and shouldered an old woman, made her drop her walking cane, made her cry out, "What's the hurry, missy?" Bridget didn't respond, how naughty, disappeared from sight, and the woman picked up her cane, made it chink against stone, made a tacky-tacky sound.

I watched people pass by, liked the way their voices filled the air, made everything feel whole, and I felt my lips turn a smile as birds jumped over and under tree branches. For a moment I thought of capturing them, placing them in my pigeon aviary in the barn. How lucky they'd be with me to look after them. I thought of Father, my stomach growled hunger and I went to the pail of water by the well, let my hands sink into the cool sip sip. I brought my hands to mouth and began drinking, lapping with my tongue. It was soft, delicate. Everything slowed down. I saw a dead pigeon lying gray and still in the yard and my stomach murmured. I looked into the sun. I thought of Father, tried to remember the last words I said to him. I took a pear from the arbor, walked back inside.

On the kitchen counter were johnnycakes. I wormed my fingers into their middles until they became small pieces of flour-rocks. I threw a handful of johnnycakes against the wall, listened to them crash in stale waves. Next I went to the stove, pulled the pot of mutton broth close to me and took a deep breath.

There was nothing but my thoughts and Father. I walked towards the sitting room, sank my teeth into the pear, stopped at the door. The clock on the mantel ticked ticked. My legs began to shake and drum into the floor and I took a bite of my pear to make them still. Behind the sitting room door was the smell of tobacco pipe.

"Father," I said. "Is that you?"

I opened the door wider then wider, sank my teeth into pear. Father was there on the sofa. He hadn't moved. Pear skin crisped in my mouth and I caught the smell again. "You ought to stop with the tobacco, Father. It makes your skin smell old."

On the floor next to the sofa was Father's pipe. I hooked the pipe under my teeth, my tongue pressed against the small mouthpiece. I breathed in. Outside I heard Bridget call like a banshee, "Miss Lizzie! Miss Lizzie!" I placed the pipe back on the floor, my fingers grazing circles of blood, and as I walked out of the room and half closed the door I took a peek at Father.

I opened the side door. Bridget looked a-fire, flame red, and she told me, "Dr. Bowen's not home."

Her response made me want to spit at her. "Go find him. Get someone. Get going," I said.

Her head jarred backwards. "Miss Lizzie, shouldn't we get Mrs. Borden?" Her voice an echo in a cave, enough with questions.

I cracked my heel into the floorboards, made the house moan then howl. "I told you, she's not here."

Bridget's forehead creased. "Where is she? We need ta get her right now." Annoying, insistent.

"Don't tell me what to do, Bridget." I heard my voice fold around doors and corners. The house; brittle bone under foot. Everything sounded louder than it should, hurt the ear.

"I'm sorry, Miss Lizzie." Bridget rubbed her hand.

"Go find someone else. Father really needs help."

Bridget let out a breath and I watched her run down the street, past a group of young children playing hopscotch. I took another bite of the pear and started to move away from the door.

From across the side fence I heard a woman call my name, felt the drilling of it, "Lizzie. Lizzie. Lizzie," bore into my ear. I squinted at a figure walking towards me. I pressed my face into the screen door, pieced together the shapes of familiarity. "Mrs. Churchill?" I said.

"Are you alright, dear? I heard Bridget hollering up and down the street and then I saw you standing at the door looking so lost." Mrs. Churchill came closer to the house, pulled at her red blouse.

On the back step she asked again, "Dear, are you alright?" and my heart beat fast, fast, fast and I told her, "Mrs. Churchill, do come in. Someone's killed Father."

Her eyes and nose scrunched, mouth hollowed into an O. A loud bang sounded from the basement; my neck twitched.

"This doesn't make sense," she said, a small voice. I opened the door, let her in. "Lizzie, what's happened?" she asked.

"I don't know. I came in and I saw him all cut up. He's in there." I pointed to the sitting room.

Mrs. Churchill slowed into the kitchen, rubbed her fat, clean fingers over her red-queen cheeks, rubbed them over her gold cameo necklace, covered her chest with her hands. There in all its shine, her gold and diamond wedding ring, I'd like to keep that. Her chest heaved, soft, child-suckled breasts, I waited for her heart to burst through ribcage onto the kitchen floor.

"Is he alone?" She was a mouse.

"Yes. Very."

Mrs. Churchill took steps towards the sitting room door then stopped, looked at me. "Should I go in?"

"He's very hurt, Mrs. Churchill. But you could go in. If you wanted to."

She receded, came back by my side. I counted the times I had seen Father's body since I found it. My stomach growled.

"Where's your mother?" she asked.

I wrenched my head towards the ceiling, I hate that word, then closed my eyes. "She's gone to visit a sick relative."

"We really must get her, Lizzie." Mrs. Churchill tugged at my hand, tried to make me move.

My skin itched. I pulled away from her grip, scratched my palm. "I don't want to bother her right now."

"Lizzie, don't be ridiculous. This is an emergency." She scolded me like I was a child.

"You can see him, if you want."

She shook her head, baffled. "I don't think I can ..."

"I meant, if you saw him, you would see why it isn't a good idea to fetch Mrs. Borden."

Mrs. Churchill placed the back of her hand on my forehead. "You feel very hot, Lizzie. You're not thinking straight."

"I'm alright." My skin slid from underneath her hand.

Her eyes widened, threatened to outgrow the boundaries of bone, and I leaned towards Mrs. Churchill. She flinched. "Perhaps we should go outside, Lizzie ..."

I shook my head, absolute. "No. Father shouldn't be left alone."

Mrs. Churchill and I stood side by side, faced the sitting room door. I could hear her breathe, could hear saliva swish thick over her gums, could smell Castile soap and clove in her hair. The roof cracked, made the sitting room door feather open an inch and my toes wiggled a step then a step until I was a little closer to Father. "Mrs. Churchill," I said, "who do you think will wash his body when it comes time?"

She looked at me as if I spoke foreign words. "I'm ... not really sure."

"Perhaps my sister could do it." I turned to her, watched sadness tiptoe across her brow and gave her a smile, cheer up now, cheer up.

Her lips parted, a sea. "Let's not worry about that."

"Oh. Alright." I turned to face the sitting room door again.

We were quiet for a time. My palm itched. I thought of using my teeth to scratch, went to bring my hand to my mouth when Mrs. Churchill said, "When did it happen, Lizzie?"

I rushed my hand to my side. "I'm not sure. I was outside then I came in and he was hurt. Bridget was upstairs. Now he's dead." I tried to think but everything slowed. "Isn't that funny? I can't remember what I was doing. Does that ever happen to you, forgetting the simplest of things?"

"I suppose so, yes." Her words slurped out.

"He said he wasn't feeling well and wanted to be alone. So I kissed him, left him asleep on the sofa and went outside." The roof popped. "That's all I can remember."

Mrs. Churchill placed her hand on my shoulder, patted me, made me warm and tingle. "Don't push yourself, dear. This is all very ... unnatural."

"You're right."

Mrs. Churchill wiped her eyes, made them red with tears and rubbing. She looked strange. "This can't be happening," she said. She looked strange and I tried not to think of Father alone on the sofa.

My skin itched. I scratched. "I'm really thirsty, Mrs. Churchill," I said.

She stared at me, ruby-eyed, and went to the kitchen counter. She poured water from a jug and handed me a cup. The water looked cloud warm. I sipped. I thought of Father. The water was tar down my throat. I should have poured it onto the floor and asked Mrs. Churchill to clean it up, get me something fresh. I sipped again. "Thank you," I said. I smiled.

Mrs. Churchill came close to me, wrapped her arm around my shoulder and held tight. She leaned into me and began whispering but there was the smell of sour yogurt snaking out from somewhere inside her and it made me dizzy. I pushed her away.

"We need to get your mother, Lizzie."

There was noise coming from outside, coming closer to the side of the house, and Mrs. Churchill ran to the side door and opened it. Standing in front of me were Mrs. Churchill, Bridget and Dr. Bowen. "I found him, miss," Bridget said. She tried to slow her breathing, she sounds like an old dog. "I went as fast as I could."

Dr. Bowen pushed his silver, round-rimmed glasses up his narrow nose and said, "Where is he?"

I pointed to the sitting room.

Dr. Bowen, his wrinkled forehead. "Are you alright, Lizzie? Did anybody try to hurt you?" His voice smooth, honey-milked.

"Hurt me?"

"The person who hurt your father. They didn't try to hurt you too?"

"I've seen no one. No one is hurt but Father," I said. The floorboards stretched beneath my feet and for a moment I thought I would sink.

Dr. Bowen stood in front of me and reached for my wrist, big hands, and he breathed out and in, his air swiping my lips. I licked them. His fingers pressed into skin until they felt blood. "Your pulse is too fast, Lizzie. I'll remedy that as soon as I check your father."

I nodded. "Would you like me to come in with you?"

Dr. Bowen. "That's ... unnecessary."

"Oh," I said.

Dr. Bowen took off his jacket and handed it to Bridget. He headed for the sitting room, took his brown, weathered leather medical bag with him. I held my breath. He opened the door like a secret, pushed his body into the room. I heard him gasp, say, "Lord Jesus." The door was open just enough. Somewhere behind me Mrs. Churchill screamed and I snapped my head towards her. She screamed again, the way people do in nightmares, and her noise rattled through my body, made my muscles tighten and ache. "I didn't want to see him. I didn't want to see him," Mrs. Churchill screamed. Bridget howled, dropped Dr. Bowen's coat on the floor. The women held each other and sobbed.

I wanted them to stop. I didn't appreciate how they reacted to Father like that, they are shaming him. I went to Dr. Bowen, stood next to him at the edge of the sofa and tried to block sight of Father's body. Bridget called, "Miss Lizzie, don't go in there." The room was still and Dr. Bowen pushed me away. "Lizzie," he said, "you mustn't be in here."

"I just want ..."

"You cannot be in here anymore. Stop looking at your father." He pushed me from the room and shut the door. Mrs. Churchill screamed again and I covered my ears. I listened to my heart beat until everything felt numb.

After a time, Dr. Bowen came out of the room, all pale and sweat, and yelled, "Summon the police." He bit his lip, his jaw a tiny thunder. On his fingertips were little drops of blood confetti, and I tried to imagine the ways he had touched Father.

"It's their annual picnic," Mrs. Churchill whispered. "No one will be at the station." She rubbed her eyes, made them raw.

I wanted her to stop crying and so I smiled and said, "It's alright. They'll come eventually. Everything will be alright, won't it, Dr. Bowen?"

Dr. Bowen eyed me and I looked at his hands. I thought of Father.

I was four when I first met Mrs. Borden. She let me eat spoonfuls of sugar when Father wasn't watching. How my tongue sang! "Can you keep secrets, Lizzie?" Mrs. Borden asked.

I nodded my head. "I can keep the best secrets." I hadn't even told Emma that I loved our new mother.

She spooned sugar into my mouth, my cheeks tight with the sweet surge. "Let's keep our sugar meal between you and me."

I nodded and nodded until everything was dizzy. Later, when I was running through the house yelling, "Karoo! Karoo!" and climbed over the sitting room sofa, Father yelled, "Emma, did you let Lizzie into the sugar?" Emma came into the sitting room, head bowed. "No, Father. I swear it."

I ran by them and Father caught me by the arm, a pull at my socket. "Lizzie," he said while I giggled and hawed, "did you eat something you weren't meant to?"

"I ate fruit."

Father came right into my face, smelled like butter cake. "And nothing else?"

"And nothing else." I laughed.

Emma looked at me, tried to peer into my mouth.

"Are you lying?" Father asked.

"No, Daddy. I would never."

He had searched me over, searched dimpled cheeks for signs of disobedience. I smiled. He smiled. Off I went again, running and jumping and I passed Mrs. Borden in the kitchen and she winked at me.

When the police arrived a short time later they began taking photos of the dark-gray suit Father wore to work that morning, of his black leather boots still tied over ankles and feet. Flashbulbs broke every six seconds. The young police photographer said he would prefer not to photograph the old man's head. "Couldn't someone else do it? Please?" he said, wiped the back of his hand over his forehead, like oil was dripping from his head.

An older officer told him to go outside while they found a real man to finish the job. They didn't need a man. A daughter would suffice. I had lovingly looked after Father all morning and his face didn't scare me. I should have said, "How many photographs do you want? How close would you like me to get? Which angle will lead you to the murderer?"

Instead, Dr. Bowen gave me a shot of beautiful warm medicine underneath my skin that made me feel feathery and strange. They seated me in the dining room with Mrs. Churchill and Bridget and said, "You don't mind that we ask each of you some questions, do you?"

The little room was cloying and heavy with the odor of warm bodies and grass, of police mouths smelling of half-digested chicken and damp yeast. "Of course not," Mrs. Churchill said. "But I shall not discuss the state Mr. Borden was in." She started to cry, made a whirlwind sound. In my mind I drifted away to the upstairs of the house where everyone became an echo. I thought of Father.

(Continues…)


Excerpted from "See What I Have Done"
by .
Copyright © 2017 Sarah Schmidt.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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