Elizabeth Langland’s edition of Cranford is likely to introduce a new generation of readers to the pleasures of Gaskell’s most delightful but least immediately appreciated novel. By including in her appendices of historical materials choice selections from conduct books and writings on political and domestic economy, as well as in her informed, accessible introduction, Langland demonstrates that, appearances aside, the world of Cranford is firmly located in its Victorian context and addresses, however obliquely, some of the most intractable problems of its age—and of ours.” — Eileen Gillooly, Columbia University

"Elizabeth Langland's edition of Cranford is likely to introduce a new generation of readers to the pleasures of Gaskell's most delightful but least immediately appreciated novel. By including in her appendices of historical materials choice selections from conduct books and writings on political and domestic economy, as well as in her informed, accessible introduction, Langland demonstrates that, appearances aside, the world of Cranford is firmly located in its Victorian context and addresses, however obliquely, some of the most intractable problems of its age—and of ours."

Clare Wille’s performance of this gently satirical look at a genteel English village in the first half of the nineteenth century may be the wittiest I’ve ever heard. Like a kinder version of E.F. Benson’s Mapp v. Lucia novels, Gaskell’s ladies of Cranford have their jealousies and their vanities. They also have moments of quiet tragedy (a lost brother, a suitor rejected to please the family but never forgotten) and of high drama. Wille made me laugh aloud at the pompous trumpeting of the late Reverend Jenkins. When Miss Poe comes in out of breath, you could swear Wille was running up stairs while delivering her lines. Her performance is always fully engaged, at one with the story, which is itself a small gem. B.G. Winner of AudioFile Earphones Award © AudioFile 2008, Portland, Maine