In this article Edgar Allan Poe makes it clear that writing (composition) is in his view ‘perspiration,’ and not ‘inspiration’ —Platonic or otherwise. His theory of composition is based on very simple concepts —that I would call axioms of composition— such as ‘unity of effect,’ ‘unity of impression,’ and other well-known literary tools such as beauty, truth, tone, versification, and originality. I have revised the article, re-punctuated it, and presented it in titled sections, providing end notes to complement the Reading. Because I’ve followed and practiced Poe’s axioms over the years —with much success and pleasure— I want to share the article, which is easy to read and grasp in my version; yet, keeping Poe’s inimitable style.
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Philosophy of Composition (in contemporary English language)
In this article Edgar Allan Poe makes it clear that writing (composition) is in his view ‘perspiration,’ and not ‘inspiration’ —Platonic or otherwise. His theory of composition is based on very simple concepts —that I would call axioms of composition— such as ‘unity of effect,’ ‘unity of impression,’ and other well-known literary tools such as beauty, truth, tone, versification, and originality. I have revised the article, re-punctuated it, and presented it in titled sections, providing end notes to complement the Reading. Because I’ve followed and practiced Poe’s axioms over the years —with much success and pleasure— I want to share the article, which is easy to read and grasp in my version; yet, keeping Poe’s inimitable style.
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Philosophy of Composition (in contemporary English language)
Philosophy of Composition (in contemporary English language)
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Product Details
BN ID: | 2940015957259 |
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Publisher: | marciano guerrero |
Publication date: | 01/13/2013 |
Sold by: | Barnes & Noble |
Format: | eBook |
File size: | 28 KB |
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