The House Guests
The House Guests, a classic memoir of animal companionship from John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.
 
A master of the noir novel turns his sharp insights and considerable narrative talents to the human-animal bond in this charming work of nonfiction. In The House Guests, John D. MacDonald tells the story of his family’s unforgettable pets: tomcats Roger and Geoffrey, two mischievous boys whose zany habits and remarkable senses of humor endeared them to everyone they met, and an extraordinary goose called Knees. Both a rare peek inside MacDonald’s private life and a fascinating compendium of information about the animal kingdom, The House Guests is by turns touching, hilarious, and absorbing, sure to mesmerize MacDonald fans and pet lovers alike.
 
Features a new Introduction by Dean Koontz
 
Praise for John D. MacDonald
 
The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
 
“My favorite novelist of all time.”—Dean Koontz
 
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
 
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
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The House Guests
The House Guests, a classic memoir of animal companionship from John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.
 
A master of the noir novel turns his sharp insights and considerable narrative talents to the human-animal bond in this charming work of nonfiction. In The House Guests, John D. MacDonald tells the story of his family’s unforgettable pets: tomcats Roger and Geoffrey, two mischievous boys whose zany habits and remarkable senses of humor endeared them to everyone they met, and an extraordinary goose called Knees. Both a rare peek inside MacDonald’s private life and a fascinating compendium of information about the animal kingdom, The House Guests is by turns touching, hilarious, and absorbing, sure to mesmerize MacDonald fans and pet lovers alike.
 
Features a new Introduction by Dean Koontz
 
Praise for John D. MacDonald
 
The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
 
“My favorite novelist of all time.”—Dean Koontz
 
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
 
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
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The House Guests

The House Guests

The House Guests

The House Guests

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Overview

The House Guests, a classic memoir of animal companionship from John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.
 
A master of the noir novel turns his sharp insights and considerable narrative talents to the human-animal bond in this charming work of nonfiction. In The House Guests, John D. MacDonald tells the story of his family’s unforgettable pets: tomcats Roger and Geoffrey, two mischievous boys whose zany habits and remarkable senses of humor endeared them to everyone they met, and an extraordinary goose called Knees. Both a rare peek inside MacDonald’s private life and a fascinating compendium of information about the animal kingdom, The House Guests is by turns touching, hilarious, and absorbing, sure to mesmerize MacDonald fans and pet lovers alike.
 
Features a new Introduction by Dean Koontz
 
Praise for John D. MacDonald
 
The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
 
“My favorite novelist of all time.”—Dean Koontz
 
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
 
“A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

Product Details

ISBN-13: 9780307827036
Publisher: Random House Publishing Group
Publication date: 06/11/2013
Sold by: Random House
Format: eBook
Pages: 192
Sales rank: 739,925
File size: 2 MB

About the Author

About The Author
John D. MacDonald was an American novelist and short-story writer. His works include the Travis McGee series and the novel The Executioners, which was adapted into the film Cape Fear. In 1962 MacDonald was named a Grand Master of the Mystery Writers of America; in 1980, he won a National Book Award. In print he delighted in smashing the bad guys, deflating the pompous, and exposing the venal. In life, he was a truly empathetic man; his friends, family, and colleagues found him to be loyal, generous, and practical. In business, he was fastidiously ethical. About being a writer, he once expressed with gleeful astonishment, “They pay me to do this! They don’t realize, I would pay them.” He spent the later part of his life in Florida with his wife and son. He died in 1986.

Date of Birth:

July 24, 1916

Date of Death:

December 28, 1986

Place of Birth:

Sharon, PA

Place of Death:

Milwaukee, WI

Education:

Syracuse University 1938; M.B. A. Harvard University, 1939

Read an Excerpt

FOREWORD    •  •
 
      This is not a luvums-duvums-itsyboo book, about pooty-tats.
 
I keep forgetting who said what, and am generally too impatient to trace it down. Someone said: Sentimentality is unearned emotion.
 
It would be a strange injustice to the breed to write a sentimental book about Roger and Geoffrey. House cats are implacable realists. Their affections are as honest as their lust for the hunt. Their vanity is not diluted by any lack of confidence. Their codes of behavior are based upon an essential dignity which, in careful proportion, demands and awards respect.
 
Portions of this book may strike the pretty-kitty set as being unnecessarily unpleasant. Without apology I say that life for any mammal from mouse to man is a precarious and bloody gamble wherein, despite the most astute management of resources and shrewdness of play, the house percentage will eventually win.
 
I am beginning this account in the spring of 1964. Roger the Lodger, sometimes known as Gladys, is downstairs drowsing on the corner of the sill of the picture window overlooking a blue mile of Little Sarasota Bay. Should he survive until September of this year, he will be nineteen years old. His half brother, Geoffrey, died during the summer of 1960, a few months past his fourteenth birthday.
 
Dorothy and I, in talking over the episodes and impressions which make up this book, are aware of our tendency to anthropomorphize these house-guest beasts, to attribute to them awareness and responses beyond their capacities. In so doing, we have perhaps made too generous interpretations of observed behavior. Such generosity is inevitably a product of affection. As is so true of children, the cherished cat is inevitably exceptional.
 
Though it is considered bad artistic judgment to state bluntly the theme of any book, and quite possibly pretentious to infer that a pet book can have such a weighty increment, I herewith state my pot of message: When any higher order of animal is given security, attention, affection, and treated in a consistent and predictable manner, that animal will respond with a continuing revelation of those factors of intelligence and personality which differentiate it from the norm of the breed. This is especially true of both cats and people. The barn cat, in the hard bargain of shelter in return for mousing, withdraws to that standardized catness which the uninitiated think typical of all cats regardless of vocation. Were a Martian to observe us only in throngs, during our surly passages to and from work, he might think us a sorry and unrewarding species indeed and generalize about us in an unflattering way.
 
Though the house cats will respond to a trusted environment in astonishing ways, their reactions will be related to varying quotients of intelligence and personality, even as you and I. If Roger seems to take over more than his share of the episodic account, it is not because he was the first acquired and has survived longest, nor is it because his intelligence is greater than was Geoffrey’s, but rather because his personality—clown, neurotic, reckless hero, inept hunter, nag, hypochondriac, experimenter—shows more deviation from the anticipated norm than did Geoffrey’s.
 
Another aspect is worth comment. With half of the world’s billions on such short rations that a few hundred calories can make the difference between survival and disaster, there is an effete and trivial overtone to the pet-keeping habit. Yet I cannot help but sense herein some supra-historical instinct more constant than the contemporary economics of starvation. We and our domesticated animals have shared hundreds of thousands of years of a precarious mutual existence on this whirling mudball, have tested the scents borne on ancient winds, died in the same rude tempests, bled the same color, feared the same darkness, protected our young with the same desperate instinct. We have shared this journey, and now in a world where we are busily interposing more layers of plastic, paper, transistors, and asphalt between ourselves and reality, where we are poisoning the air, the earth, and the waters in our hot wars against insects and our cold wars against each other, it is a needful reminder to have, close at hand, that striped, furry camouflage, that functional honesty of fang and talon, the sleekness of the muscles of the hunt. In its best form the relationship is ceremonial-symbiotic, composed of grave courtesies and considerations, a sharing rather than an ownership structure. In its worst form, wherein the dignity of both species is degraded, it is suffocatingly pooty-tat.
 
I can not properly dedicate this book to the two cats. In 1960 Simon and Schuster published a suspense novel of mine entitled The End of the Night. As a result of a momentary attack of the quaints, the dedication reads, “To Roger and Geoffrey, who left their marks on the manuscript.”
 
In an abashed penance, I dedicate this book to all those doctors of veterinary medicine who, despite all the cutenesses of the pooty-tat trade, have retained a respect, liking, and consideration for animals on their own primitive terms. In these affluent days of the teeny cashmere sweaters, tiny electric blankets, pedicures, exotic diets, and dear little kitty-coffins, such gentlemen are becoming ever more rare. The ones mentioned in this account are included in this dedication.
 
Sarasota, Florida
April 2, 1964
 
ONE    •  •
 
      I grew up with a smooth-haired fox terrier named Prince. He was acquired before I started school and was still living when I went off to college. When I was little, he was very much the country dog. We lived in Sharon, Pennsylvania. We had a summer cottage on the Pymatuning River in Orangeville, Ohio.
 
Much to my mother’s indignation and despair, Prince buddied up with a jovial pack of farm dogs and would run off with them on a periodic debauch, which involved hurrying down to a country slaughterhouse and rolling in some pungent horror, and coming home wearing a bashful and guilty smirk. The invariable procedure was to put on gloves, take him out along the boathouse dock, and eject him into the river. After this was repeated three or four times, the stench was diminished to the point where he could be washed. He came to expect this as the inevitable end result of fragrant holiday and as a price which, though he made a great show of reluctance, he was willing to pay. It was a canine variation of a night in the drunk tank. When he was at last clean, his morale was excellent.
 
My maternal grandfather was an avid hunter of the Ohio woodchuck, and Prince became of such value in this patient sport my grandfather bragged about him to anyone who would listen.
 
When my father went with another company, we moved to Utica, New York, and Prince made the transition from country dog to city dog. We lived on Beverly Place in Utica, and across the street lived a rugged Airedale named Mike. He belonged to the Robinson Family. My kid sister, Doris, later married Bill Robinson. It became Mike’s mission to kill the overconfident fox terrier across the street. Their brawls were loud, bloody, and in deadly earnest. Prince was outclassed. We managed to separate them in time, every time.
 
My grandfather developed an effective system. There was an old turret-top refrigerator in the back hallway at that time. He kept a supply of very loud flash crackers and kitchen matches atop the refrigerator. At the first sounds of combat he would run out, light a firecracker, and toss it into the snarling turmoil. The bang would send both dogs screaming in opposite directions. In time truce was established, and thereafter they ignored each other, with the infrequent exception of a mild sneer at long range.
 
With his learning process accelerated by being bowled over without serious injury by a passing car, Prince took over that porky-wise manner of the city dog, the broadchested little trot, the obvious preoccupation with destination, interrupted by the routine examinations of light poles and tree trunks.
 
A friend phoned us once and told us of Prince’s solution to the traffic-light problem. We followed him and saw how he managed it. At the foot of the Beverly Place hill, a block away, Beverly Place crossed Genesee Street, US Route 5, a four-lane street, heavily traveled, with a traffic light at the corner. Prince would stop at the corner and begin to bark. Sharp, peremptory barks, widely spaced. The light would turn. Traffic would stop. He would thereupon trot across the wide street staying within the pedestrian stripes, quite obviously convinced that he had demanded a favor and that, as always, it had been granted.
 
I am convinced that after I went off to the University of Pennsylvania my subsequent relationship with Prince was a disappointment to my parents. After all, this was A Boy and His Dog, reunited during school vacations. But I had to force more enthusiasm than I felt, and his response also seemed somewhat stylized. I used to wonder if I was lacking in capacity for this sort of affection. I realize now that the world had broadened for both of us. We had gone separate ways and had other things on our minds. I was learning to bark at another kind of traffic light. Our relationship was mildly affable and slightly nostalgic.

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