Robinson Crusoe is read as eagerly today as when it was first published. . . . The book has attained a high place in the literature of the world, and justly so.

"This edition greatly enriches the reader's appreciation of Robinson Crusoe both as a classic that transcends its historical origins and as a text that reflects a specific historical context. In each role, the novel can be viewed from many perspectives, ranging from those embodied in other writings by Defoe and his contemporaries to later ideas about psychology, economics, religion, and post-colonialism, and the introduction and appendices give the reader access to an extraordinarily copious array of these perspectives. The introduction, moreover, goes well beyond compiling viewpoints: while elegantly marshaling information, Evan R. Davis also contests received opinion and offers fresh insights. This is an extremely useful edition for students, general readers, and even those already well-acquainted with Defoe."

"Evan Davis has done an excellent job of bringing together many of the strands of thought that Defoe put into The Life and Strange Surprizing Adventures of Robinson Crusoe—his interests in travel, economics, religion, and the experience of solitude—and putting them into an attractive format. Professor Davis supplies examples of texts on related topics such as solitude, cannibalism, and castaway narratives, along with a group of wonderful illustrations, including a large number of Crusoe and Friday, showing everything from the sympathetic and helpful Crusoe to Crusoe the colonialist and exploiter. These are well chosen to make points about the ways in which Crusoe fits into the interests of post-colonial criticism. Professor Davis is also very good in his introduction on the ambiguity with which Crusoe treats Friday. Is he a friend, a servant, or a slave? Or all three? This will be a useful and indeed an exciting text for students at all levels."

Beyond the end of Robinson Crusoe is a new world of fiction. Even though it did not know itself to be a ‘novel,’ and even though there were books that we might now call ‘novels’ published before it, Robinson Crusoe has made itself into a prototype . . . Perhaps because of all the novels that we have read . . . the novelty of Defoe’s fiction is the more striking when we return to it. Here it is, at the beginning of things, with its final word reaching out into the future.” –from the Introduction by John Mullan

Evan R. Davis has done an excellent job of bringing together many of the strands of thought that Defoe put into The Life and Strange Surprizing Adventures of Robinson Crusoe—his interests in travel, economics, religion, and the experience of solitude—and putting them into an attractive format. Professor Davis supplies examples of texts on related topics such as solitude, cannibalism, and castaway narratives, along with a group of wonderful illustrations, including a large number of Crusoe and Friday, showing everything from the sympathetic and helpful Crusoe to Crusoe the colonialist and exploiter. These are well chosen to make points about the ways in which Crusoe fits into the interests of post-colonial criticism. Professor Davis is also very good in his introduction on the ambiguity with which Crusoe treats Friday. Is he a friend, a servant, or a slave? Or all three? This will be a useful and indeed an exciting text for students at all levels.” — Maximillian E. Novak, University of California at Los Angeles

“This edition greatly enriches the reader’s appreciation of Robinson Crusoe both as a classic that transcends its historical origins and as a text that reflects a specific historical context. In each role, the novel can be viewed from many perspectives, ranging from those embodied in other writings by Defoe and his contemporaries to later ideas about psychology, economics, religion, and post-colonialism, and the introduction and appendices give the reader access to an extraordinarily copious array of these perspectives. The introduction, moreover, goes well beyond compiling viewpoints: while elegantly marshaling information, Evan R. Davis also contests received opinion and offers fresh insights. This is an extremely useful edition for students, general readers, and even those already well-acquainted with Defoe.” — Oscar Kenshur, Indiana University

“Evan R. Davis’s fine edition of Robinson Crusoe for Broadview joins an already well-populated field of classroom paperbacks of Defoe’s first novel...The Broadview edition holds its own...and offers much to recommend itself. It provides everything one would want from a text for classroom use (or for reading outside the classroom, for that matter): a reliable text, annotations that are clear and sufficient without being obtrusive, and an intelligent and thoughtful editor’s introduction. Moreover, it provides a rich selection of supplementary materials, including a truly surprising number of illustrations, aimed at provoking classroom discussion or simply thoughtful reflection.” — Benjamin F. Pauley, Eastern Connecticut State University, reviewed in Digital Defoe

A labored retelling of the classic survival tale in graphic format, heavily glossed and capped with multiple value-added mini-essays.

Along with capturing neither the original's melodrama nor the stranded Crusoe's MacGyver-esque ingenuity in making do, Graham's version quickly waxes tedious thanks to forced inclusion of minor details and paraphrased rather than directly quoted dialogue in an artificially antiquated style ("You Friday. Me Master"). Frequent superscript numbers lead to often-superfluous footnotes: "Crusoe, a European, assumes that he is superior to other races. This attitude was usual at the time when the story was written." Shoehorned into monotonous rows of small panels, the art battles for real estate with both dialogue balloons and boxed present-tense descriptions of what's going on (the pictures themselves being rarely self-explanatory). Seven pages of closing matter cover topics from Defoe's checkered career to stage and film versions of his masterpiece—and even feature an index for the convenience of assignment-driven readers.

At best, a poor substitute for Cliffs Notes and like slacker fare.(Graphic novel. 11-14)