Known for focusing on families, race, and relationships, Ng raises the bar another notch in a story intensified by reference to such police violence, political protest, book banning, and discrimination against people of color. Ng’s beautiful yet chilling tale will resonate with readers who enjoyed Margaret Atwood’s The Handmaid’s Tale and Jessamine Chan’s more recent School for Good Mothers. As with her previous novels, her storytelling will not disappoint.” —Library Journal (starred review)
“Ng’s first two novels—her arresting debut, Everything I Never Told You (2014), and devastating follow-up, Little Fires Everywhere (2017)—provided an insightful, empathetic perspective on America as it is. Her equally sensitive, nuanced, and vividly drawn latest effort, set in a dystopian near future in which Asian Americans are regarded with scorn and mistrust by the government and their neighbors, offers a frightening portrait of what it might become. . . . . From the very first page of this thoroughly engrossing and deeply moving novel, Bird’s story takes wing. Taut and terrifying, Ng’s cautionary tale transports us into an American tomorrow that is all too easy to imagine—and persuasively posits that the antidotes to fear and suspicion are empathy and love. Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.” —Kirkus (starred review)
“Remarkable . . . Ng crafts an affecting family drama out of the chilling and charged atmosphere, and shines especially when offering testimony to the power of art and storytelling . . . Ng’s latest crackles and sizzles all the way to the end.” —Publishers Weekly (starred review)
“[So] much of this utterly stupendous tale is hauntingly, horrifically, historically, currently all too real, from removing and caging children to anti-Asian hate crimes, violent protests, police brutality, and despotic (so-called) leadership. Yet Ng creates an exquisite story of unbreakable family bonds, lifesaving storytelling (and seemingly omniscient librarians!), brilliantly subversive art, and accidentally transformative activism. As lyrical as it is chilling, as astonishing as it is empathic, Our Missing Hearts arguably achieves literary perfection.” —Booklist (starred review)
“Like Ng’s previous novels, this one promises to be thrillingly paced and deeply felt.” —Literary Hub, "Most Anticipated Books of 2022"
PRAISE FOR THE WORK OF CELESTE NG:
“Witnessing these two families as they commingle and clash is an utterly engrossing, often heartbreaking, deeply empathetic experience . . . The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America]. Who set the littles fires everywhere? We keep reading to find out, even as we suspect that it could be us with ash on our hands.” —Eleanor Henderson, The New York Times Book Review
“Ng has one-upped herself with her tremendous follow-up novel . . . a finely wrought meditation on the nature of motherhood, the dangers of privilege and a cautionary tale about how even the tiniest of secrets can rip families apart . . . Ng is a master at pushing us to look at our personal and societal flaws in the face and see them with new eyes . . . If Little Fires Everywhere doesn't give you pause and help you think differently about humanity and this country's current state of affairs, start over from the beginning and read the book again.” —San Francisco Chronicle
“Stellar . . . Ng is a confident, talented writer, and it's a pleasure to inhabit the lives of her characters and experience the rhythms of Shaker Heights through her clean, observant prose . . . There's a lovely, balanced, dioramic quality to this novel . . . broad in scope and fine in detail, all while keeping the story moving at a thriller's pace.” —Los Angeles Times
“Delectable and engrossing . . . A complex and compulsively readable suburban saga that is deeply invested in mothers and daughters . . . What Ng has written, in this thoroughly entertaining novel, is a pointed and persuasive social critique, teasing out the myriad forms of privilege and predation that stand between so many people and their achievement of the American dream. But there is a heartening optimism, too. This is a book that believes in the transformative powers of art and genuine kindness—and in the promise of new growth, even after devastation, even after everything has turned to ash.” —Boston Globe
“If we know this story, we haven’t seen it yet in American fiction, not until now . . . This is, in the end, a novel about the burden of being the first of your kind—a burden you do not always survive.” —Alexander Chee, The New York Times Book Review
“Tender and merciless all at once . . . Vital in all the essential ways.” —Jesmyn Ward, author of Sing, Unburied, Sing
★ 08/01/2022
Incorporating recent events into her narrative, the best-selling Ng (Little Fires Everywhere) crafts a dystopian tale about societal repression and a mother's love. It follows the quest of 12-year-old Bird ("Noah") Gardner to understand why his Chinese American mother, published poet Margaret Miu, seemingly abandoned him and his father, Ethan, three years earlier. Instructed by his father to deny any association to his mother and not to stray when going about his daily routines, Bird must also be careful to follow the PACT (Preserving American Cultures and Traditions) passed by the government following a major worldwide crisis. He doesn't want to raise any suspicions and risk being separated from his remaining parent, which happened to his classmate and closest friend, 13-year-old Sadie. Known for focusing on families, race, and relationships, Ng raises the bar another notch in a story intensified by reference to such police violence, political protest, book banning, and discrimination against people of color. VERDICT Ng's beautiful yet chilling tale will resonate with readers who enjoyed Margaret Atwood's The Handmaid's Tale and Jessamine Chan's more recent School for Good Mothers. As with her previous novels, her storytelling will not disappoint.—Shirley Quan