FEBRUARY 2019 - AudioFile
Narrator Bahni Turpin becomes The Neighborhood through the eyes of Bri, a 16-year-old hip-hop artist who raps to express how she feels. Turpin portrays the essence of this quick-thinking wordsmith who gets her first break by performing at the infamous Ring, where the best-of- the-best rap battles unfold. The spunk in Turpin’s voice brings this roller-coaster story to life. She captures the character’s emotional trauma at the threat of gang warfare and of being homeless, as well as her fear that her mother will relapse and return to drugs. Thomas’s story and Turpin’s narration are raw, funny, and filled with the vulnerable moments that adolescents experience as they develop into who they want to be in this world. T.E.C. 2020 Audies Finalist © AudioFile 2019, Portland, Maine
The New York Times Book Review - Karen Valby
…what Thomas declares on every page of this exuberant, exquisitely intimate novel is that Bri deserves a big story of her own. That this complicated teenager with fake Timberlands and a right to her anger is worth engaging with in her full complexity. The fact that someone like Bri is granted nearly 500 pages to find and use her voice feels like an event of political urgency. She matters and must be heard, says an author in complete command of her own voice…Despite the challenges that Bri faces, the novel is at heart a joyful love letter. To hip-hop, to family, to Popeye's fried chicken and KFC biscuits, to Michael B. Jordan, to nerd culture, to Wakanda Forever, to any pop culture that holds up a mirror so kids like Bri can see themselves too. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.
Publishers Weekly
★ 02/20/4
Thomas’s highly anticipated follow up to The Hate U Give returns to Garden Heights, but her new protagonist, 16-year-old Brianna Jackson, faces different challenges than the previous novel’s Starr Carter. Bri’s mother, Jayda, a recovering crack addict, has lost her job. The rent is late, the heat has been shut off, and Jayda must choose between staying in college and feeding her kids, because welfare benefits don’t include food stamps for unemployed students. Bri attends an arts high school, and she dreams of making it big rapping—a talent she inherited from her father, a neighborhood legend who was shot to death when Bri was four. She begins to gain notice in the local music scene, but her success draws the unwanted attention of the gang suspected of killing her father. At the same time, an incident at school connects her with activists. Bri’s artful rhymes convey her fears, frustrations, determination to challenge societal stereotypes, and growing awareness of her own talents. As in The Hate U Give, Thomas introduces readers to an unforgettable cast of characters who seek to thrive in close-knit neighborhoods that are also shaped by violence and systemic racism. Bri is a fully realized character who is both sympathetic and, occasionally, maddeningly impulsive, and the well-crafted dialogue, with some laugh-out-loud shade throwing, propels the dramatic plot. Ages 14-up. (Feb.)
From the Publisher
★ “This follow-up to Thomas’ landmark The Hate U Give, set in the same fictional city after the events of that book, demonstrates again Thomas’ gift for crackling dialogue, complex characterization, and impactful emotion. Readers already lining up for this title won’t be disappointed.” — Bulletin of the Center for Children’s Books (starred review)
★ “While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.” — School Library Journal (starred review)
★ “On the Come Up truly shines in its exploration of Bri’s resilience, determination, and pursuit of her dreams. In this splendid novel, showing many facets of the black identity and the black experience, Thomas gives readers another dynamic protagonist to root for.” — ALA Booklist (starred review)
★ “This honest and unflinching story of toil, tears, and triumph is a musical love letter that proves literary lightning does indeed strike twice. The rawness of Bri’s narrative demonstrates Thomas’ undeniable storytelling prowess. A joyous experience awaits. Read it. Learn it. Love it.” — Kirkus Reviews (starred review)
★ “With sharp, even piercing, characterization, this indelible and intricate story of a young girl who is brilliant and sometimes reckless, who is deeply loved and rightfully angry at a world that reduces her to less than her big dreams call her to be, provides many pathways for readers.” — Horn Book (starred review)
★ "This book gazes directly at the deeply emotional, moral challenges teens like Bri—who dream of hot water and full fridges—face when they are trying to come up. This young adult novel breathes life into the art and struggle of 'starting from the bottom.'" — Shelf Awareness
“For all the struggle in this book, Thomas rarely misses a step as a writer. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.” — New York Times Book Review
“This book beckons young readers and music lovers alike with an homage to the forefathers of hip-hop that also assures the feminine voice is never dismissed from the cypher.” — Washington Post
“On the Come Up offers a complicated, imperfect heroine who lives and breathes her truth on every page.” — Entertainment Weekly
“On the Come Up is earnest and warm-hearted, a careful examination of social issues that’s built around an immensely endearing main character. It’s likely to assure Thomas’s continued and well-deserved dominance on the best-seller lists.” — Vox
“Bri’s story is utterly compelling from first to last.” — USA Today
"On the Come Up is another raw and powerful look at the challenges of being young and black in America." — BookPage
Vox
On the Come Up is earnest and warm-hearted, a careful examination of social issues that’s built around an immensely endearing main character. It’s likely to assure Thomas’s continued and well-deserved dominance on the best-seller lists.
Washington Post
This book beckons young readers and music lovers alike with an homage to the forefathers of hip-hop that also assures the feminine voice is never dismissed from the cypher.
ALA Booklist (starred review)
★ “On the Come Up truly shines in its exploration of Bri’s resilience, determination, and pursuit of her dreams. In this splendid novel, showing many facets of the black identity and the black experience, Thomas gives readers another dynamic protagonist to root for.
Horn Book (starred review)
★ “With sharp, even piercing, characterization, this indelible and intricate story of a young girl who is brilliant and sometimes reckless, who is deeply loved and rightfully angry at a world that reduces her to less than her big dreams call her to be, provides many pathways for readers.
Entertainment Weekly
On the Come Up offers a complicated, imperfect heroine who lives and breathes her truth on every page.
USA Today
Bri’s story is utterly compelling from first to last.
New York Times Book Review
For all the struggle in this book, Thomas rarely misses a step as a writer. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.
Bulletin of the Center for Children’s Books (starred review)
★ “This follow-up to Thomas’ landmark The Hate U Give, set in the same fictional city after the events of that book, demonstrates again Thomas’ gift for crackling dialogue, complex characterization, and impactful emotion. Readers already lining up for this title won’t be disappointed.
Washington Post
This book beckons young readers and music lovers alike with an homage to the forefathers of hip-hop that also assures the feminine voice is never dismissed from the cypher.
USA Today
Bri’s story is utterly compelling from first to last.
Bulletin of the Center for Children's Books (starred review)
★ “This follow-up to Thomas’ landmark The Hate U Give, set in the same fictional city after the events of that book, demonstrates again Thomas’ gift for crackling dialogue, complex characterization, and impactful emotion. Readers already lining up for this title won’t be disappointed.
School Library Journal
★ 02/01/2019
Gr 8 Up–Aspiring rapper Bri records "On the Come Up" to protest the racial profiling and assault she endured at the hands of white security guards at her high school. The song goes viral, and Bri seizes the opportunity to follow in the footsteps of her late father and lift her family out of poverty, but her loved ones worry, especially when some listeners paint her as an angry black girl inciting violence. Tension mounts as Bri's mother loses her job, Bri's relationship with her beloved aunt and musical mentor splinters, and a new manager dangles the prospect of fame and wealth—at a price. Set in the same neighborhood as Thomas's electrifying The Hate U Give, this visceral novel makes cogent observations about the cycle of poverty and the inescapable effects of systemic racism. Though the book never sands over the rough realities of Garden Heights, such as gang warfare, it imbues its many characters with warmth and depth. While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. VERDICT Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.—Mahnaz Dar, School Library Journal
FEBRUARY 2019 - AudioFile
Narrator Bahni Turpin becomes The Neighborhood through the eyes of Bri, a 16-year-old hip-hop artist who raps to express how she feels. Turpin portrays the essence of this quick-thinking wordsmith who gets her first break by performing at the infamous Ring, where the best-of- the-best rap battles unfold. The spunk in Turpin’s voice brings this roller-coaster story to life. She captures the character’s emotional trauma at the threat of gang warfare and of being homeless, as well as her fear that her mother will relapse and return to drugs. Thomas’s story and Turpin’s narration are raw, funny, and filled with the vulnerable moments that adolescents experience as they develop into who they want to be in this world. T.E.C. 2020 Audies Finalist © AudioFile 2019, Portland, Maine