Sparkling Cyanide

Sparkling Cyanide

by Agatha Christie

Narrated by Full Cast, Naomi Frederick, Peter Wight, Sean Baker

Unabridged — 1 hours, 20 minutes

Sparkling Cyanide

Sparkling Cyanide

by Agatha Christie

Narrated by Full Cast, Naomi Frederick, Peter Wight, Sean Baker

Unabridged — 1 hours, 20 minutes

Audiobook (Digital)

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Overview

`There's Rosemary, that's for remembrance.' Published in 1945, Sparkling Cyanide is all about remembrance. It begins with six characters recalling the horrific death of Rosemary Barton, a beautiful but shallow young heiress poisoned by a cyanide-spiked glass of champagne whilst celebrating her birthday at a smart London restaurant. Rosemary haunts all six characters, each of them a suspect, throughout the story - and it's not until her killer is found and her ghost laid to rest that the group can move on, though they will never forget. With a distinguished cast including Naomi Frederick, Peter Wight and Sean Baker, this wonderfully entertaining production retains the thrill of Agatha Christie's clever, compulsive story.

Editorial Reviews

Publishers Weekly - Audio

Sean Baker’s performance of Colonel Race—one of Christie’s minor sleuths, probably best-known for his supporting role in the Hercule Poirot tale Death on the Nile—is reminiscent of the great Clive Merrison’s rendition of Sherlock Holmes. Baker, whether consciously or not, captures Merrison’s crisp enunciation and dry delivery of lines, as Race re-examines the suicide of Rosemary Barton. The case is reopened via a typical Christie plot device: Barton’s widower, George, reconstructs the fatal evening at the same venue, but ends up poisoned himself. This audio production benefits from a stellar full cast, and with a number of potential murderers for the listener to suspect, the distinctive voices of the players—including Naomi Frederick and Colin Tierney—make the mystery all the more compelling. But in a classic whodunit such as this, engagement hangs on the detective, and Baker’s spot-on characterization will make listeners regret that Race appeared in only a handful of books. (June)

From the Publisher

Agatha Christie possessed the mind of a serial killer in the body of a quiet and refined Englishwoman. Don’t be fooled—she’s deadly!” — Alan Bradley, New York Times bestselling author of the Flavia de Luce novels

“The denoument will probably come as a surprise to nine readers out of ten.” — New York Times

New York Times

The denoument will probably come as a surprise to nine readers out of ten.

Alan Bradley

Agatha Christie possessed the mind of a serial killer in the body of a quiet and refined Englishwoman. Don’t be fooled—she’s deadly!

DEC 02/JAN 03 - AudioFile

Rosemary Barton drinks a glass of champagne at her birthday party and promptly dies of cyanide poisoning. A year later, six people--among them her sister, her husband, and her lovers--think about her murder. Christie's well-drawn characters are introduced in a novel way: Each relates his or her memories of Rosemary in a separate chapter, revealing plenty of motives. Robin Bailey develops these characters beautifully, easily handling the book's changing viewpoint. His portrayals of George, Rosemary's stuffy but sympathetic husband, and Iris, her younger sister, are particularly deft. Christie fans in particular and mystery buffs in general will enjoy listening to this fine production. J.C.G. © AudioFile 2002, Portland, Maine

Product Details

BN ID: 2940173955951
Publisher: Random House UK
Publication date: 02/23/2012
Edition description: Unabridged

Read an Excerpt

Chapter One

IRIS MARLE

Iris Marle was thinking about her sister, Rosemary.

For nearly a year she had deliberately tried to put the thought of Rosemary away from her. She hadn't wanted to remember.

It was too painful -- too horrible!

The blue cyanosed face, the convulsed, clutching fingers . . .

The contrast between that and the gay lovely Rosemary of the day before . . . Well, perhaps not exactly gay. She had had "flu" -- she had been depressed, run down . . . all that had been brought out at the inquest. Iris herself had laid stress on it. It accounted, didn't it, for Rosemary's suicide?

Once the inquest was over, Iris had deliberately tried to put the whole thing out of her mind. Of what good was remembrance? Forget it all! Forget the whole horrible business.

But now, she realized, she had got to remember. She had got to think back into the past . . . to remember carefully every slight unimportant seeming incident . . .

That extraordinary interview with George last night necessitated remembrance.

It had been so unexpected, so frightening. Wait -- had it been so unexpected? Hadn't there been indications beforehand? George's growing absorption, his absent-mindedness, his unaccountable actions -- his -- well, queerness was the only word for it! All leading up to that moment last night when he had called her into the study and had taken the letters from the drawer of the desk.

So now there was no help for it. She had got to think about Rosemary -- to remember.

Rosemary her sister . . .

With a shock Iris realized suddenly that it was the first time in her life she hadever thought about Rosemary. Thought about her, that is, objectively, as a person.

She had always accepted Rosemary without thinking about her. You didn't think about your mother or your father or your sister or your aunt. They just existed, unquestioned, in those relationships.

You didn't think about them as people. You didn't ask yourself, even, what they were like.

What had Rosemary been like?

That might be very important now. A lot might depend upon it. Iris cast her mind back into the past. Herself and Rosemary as children . . .

Rosemary had been the elder by six years.

Glimpses of the past came back -- brief flashes -- short scenes. Herself as a small child eating bread and milk, and Rosemary, important in pigtails, "doing lessons" at a table.

The seaside one summer -- Iris envying Rosemary who was a "big girl" and could swim!

Rosemary going to boarding school -- coming home for the holidays. Then she herself at school, and Rosemary being "finished" in Paris. Schoolgirl Rosemary -- clumsy, all arms and legs. "Finished" Rosemary coming back from Paris with a strange new frightening elegance, soft-voiced, graceful, with a swaying, undulating figure, with red-gold chestnut hair and big, black-fringed, dark blue eyes. A disturbing, beautiful creature -- grown up -- in a different world!

From then on they had seen very little of each Other, the six-year gap had been at its widest.

Iris had been still at school, Rosemary in the full swing of a "season." Even when Iris came home, the gap remained. Rosemary's life was one of late mornings in bed, fork luncheons with other débutantes, dances most evenings of the week. Iris had been in the schoolroom with Mademoiselle, had gone for walks in the park, had had supper at nine o'clock and had gone to bed at ten.

The intercourse between the sisters had been limited to such brief interchanges as:

"Hullo, Iris, telephone for a taxi for me, there's a lamb; I'm going to be devastatingly late," or "I don't like that new frock, Rosemary. It doesn't suit you. It's all bunch and fuss."

Then had come Rosemary's engagement to George Barton. Excitement, shopping, streams of parcels, bridesmaids' dresses.

The wedding. Walking up the aisle behind Rosemary, hearing whispers:

"What a beautiful bride she makes..."

Why had Rosemary married George? Even at the time Iris had been vaguely surprised. There had been so many exciting young men, ringing Rosemary up, taking her out. Why choose George Barton, fifteen years older than herself, kindly, pleasant, but definitely dull.

George was well off, but it wasn't money. Rosemary had her own money, a great deal of it.

Uncle Paul's money . . .

Iris searched her mind carefully, seeking to differentiate between what she knew now and what she had known then. Uncle Paul, for instance?

He wasn't really an uncle, she had always known that. Without ever having been definitely told them, she knew certain facts. Paul Bennett had been in love with their mother. She had preferred another and a poorer man. Paul Bennett had taken his defeat in a romantic spirit. He had remained the family friend, adopted an attitude of romantic, platonic devotion. He had become Uncle Paul, had stood godfather to the first-born child, Rosemary. When he died, it was found that he had left his entire fortune to his little goddaughter, then a child of thirteen.

Rosemary, besides her beauty, had been an heiress. And she had married nice doll George Barton.

Why? Iris had wondered then. She wondered now. Iris didn't believe that Rosemary had ever been in love with him. But she had seemed very happy with him -and she had been fond of him-yes, definitely fond of him. Iris had good opportunities for knowing, for a year after the marriage, their mother -- lovely, delicate Viola Marle -- had died, and Iris, a girt Of seventeen, had gone to live with Rosemary Barton and her husband.

A girt of seventeen. Iris pondered over the picture of herself. What had she been like? What had she felt, thought, seen?

She came to the conclusion that that young Iris Marie had been slow of development -- unthinking, acquiescing in things as they were. Had she resented, for instance, her mother's earlier absorption in Rosemary?...

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