Praise for Summer Brother
“A deeply humane novel centred on a disabled man, his heroic younger brother and an unreliable, partly criminal father living on an all but derelict site. The book is generous to all its flawed characters, is beautifully written, and humanises lives of abject poverty on the edge of squalor and disaster.” —INTERNATIONAL BOOKER PRIZE, jury report
“I just ADORED the novel Summer Brother. Bravo, bravo is what I have to say. It kind of saved me in a way.” —ELIZABETH STROUT, Pulitzer Prize-winning author
“It’s an impressive novel: a deceptively simple story of lives at the margin, with a child’s viewpoint perfectly pitched and sustained, it is cleanly written and powerfully imagined. It reminded me of Claire Keegan’s novella Foster, which has a girl narrator of a similar age, and is an outstanding book. But the challenges are greater here, as Robben deals with all kinds of inflammable material, and does it with such tact and understanding.” —HILARY MANTEL
“Robben’s background as a playwright is evident in his astute characterisation. ... [He] depicts the limitations of a dysfunctional family but also celebrates empathy as a force for good.” —The Guardian
“It is wild and touching reading.” —DORTHE NORS, Booker International-nominated author
“A warm, complex and luminous novel on these profound moments of ambiguity, and on the small, crucial acts of love.” —RUTH MCKEE, Irish Times
“The central premise of Summer Brother, Jaap Robben’s evocative coming-of-age novel, longlisted for the International Booker prize, is that love can thrive in the unlikeliest of places…It is easy to forget this is a work in translation, so deft is David Doherty’s rendition. Robben depicts the limitations of a dysfunctional family but also celebrates empathy as a force for good.” —The Observer
“Dutch author Jaap Robben’s second novel shows us the shedding of innocence. Summer Brother, translated by David Doherty, shakes out over a hot summer, during that potent lull when characters so splendidly boil, burst and bloom…Summer Brother grapples with the consequences of carelessness and the abuse of power and trust, even if the violation is unintentional…Robben is wonderful at drawing characters with just a few deliberate strokes…Like a photographer shooting a portrait, Robben captures his subjects in Summer Brother in a focused close-up.” —New York Times
“A sensitive yet unsentimental depiction of poverty and disability from the perspective of an abled character.” —Kirkus Reviews
“The book’s language is precise and forthright as Brian observes, and portrays in stark terms, the intense, awkward, and lovely actions of those around him. Sharp exchanges reveal characters who are witty and earnest in equal measure. Summer Brother is a harrowing novel about dysfunctional family dynamics and the universal awkwardness of being a teenager.” —Foreword Reviews
“A tragic tale of generational dysfunction” —Publishers Weekly
“Summer Brother is a work of rare intricacy that warrants to be read with all the seriousness one can muster.” —World Literature Today
“Refined and subtle, and at the same time one of the most striking voices in contemporary Dutch literature” —LIZE SPIT, author of The Melting
“A writer who passes the ball with such elegance that there’s no need to hammer it home.” —De Volkskrant
“Subtle and refined.” —NRC Handelsblad
“Robben’s style is deceptively simple. You don’t have to be an adult to read Summer Brother, yet Robben’s imagery, subtle humor, and surprising plot will connect with the most literate of readers. The novel gives a moving insight into a boyhood that gives pause for reflection.” —De Standaard
“Like no other writer, Robben can empathize with the mind of a child and he imbues the reader with this open and uninhibited outlook as the story unfolds.” —Hebban
“Summer Brother is a wry and funny book about a damaged family.” —Algemeen Dagblad
“Lovingly, Robben shows Brian’s hapless attempts to deal with pills and full diapers, yet all the while he is working mercilessly towards the inevitable climax.” —VPRO Gids
“A poignant story about loyalty, disloyalty, solidarity, and puberty.” —De Limburger
“A truly gutsy novel.” —Tzum
“Robben is an excellent writer.” —Nederlands Dagblad
“Summer Brother is a beautiful, modest novel. As he did with You Have Me to Love, Robben will once again win over a young generation of readers with this book. That in itself is praiseworthy.” —Elsevier
“Jaap Robben has once again written an overwhelming book.” —HMC Dagbladen
“Jaap Robben has done it again.” —Verstwee.nl
“His first novel, You Have Me to Love, was well-received, won prizes, and became a sales success. Summer Brother is a worthy successor and has all the ingredients to follow the same path. Robben knows how to write simply and magnificently―I kept underlining beautiful sentences in the first chapters.” —Trouw
Praise for You Have Me to Love
“You Have Me to Love explores raw and unsettling psychological territory. It is a story that once read will stick with the reader for a long time.” —Literary Review
“Moving between child-like speculation and shocking realism, Robben’s novel transports the reader into lives almost beyond imagining in the contemporary world. With echoes of Ian McEwan and Peter Carey, Robben’s tale, already a huge success in the Netherlands, is one to savor and discuss.” —ALA Booklist
“You Have Me to Love left me gasping, literally, for air. And groping for understanding. A blindingly good novel about the vulnerability of children and the hard truth of the world they inhabit.” —The King’s English Bookshop
“You Have Me to Love is an intense and dramatic novel filled with meticulous use of detail and a forensic psychological accuracy. Its power comes from the fierce energy of the narrative structure, the way of handling silence and pain, and the ability to confront the darkest areas of experience with clear-eyed sympathy and care. Jaap Robben handles delicate, dangerous material with subtlety and sympathy, but also with a visionary sense of truth that is masterly and unforgettable.” —COLM TÓIBÍN
“I was completely seduced by this novel―it’s raw and harrowing and very moving. Robben is a very powerful writer who reminds me very much of Per Petterson.” —AIFRIC CAMPBELL
“This is a bold, tender and ambivalent narrative, raw and disturbing, with moments of painful beauty; a taut narrative heavy with a convincing sense of dread.” —Irish Times
“A small masterpiece.” —Harpers Bazaar“A promising novelist has risen. Robben lifts you from your life and sweeps you away, with no chance of escaping.” —De Morgen
“An overwhelming debut about lost childhood innocence, You Have Me to Love can be favorably compared to Niccolò Ammaniti’s I’m Not Scared and Ian McEwan’s The Cement Garden.” —Het Parool
“A gripping novel that steadily tightens its hold.” —De Volkskrant
“Beautiful, just beautiful.” —GERBRAND BAKKER
2020-12-15
In this thoughtful, empathetic Dutch novel, a 13-year-old boy struggles to care for his disabled brother.
Since his parents split up, Brian Chevalier hasn’t seen his mother or his older brother, Lucien, who is mentally and physically disabled, very often. He lives with his father, Maurice, in a trailer, learning to underpay shopkeepers and squeeze extra money out of tenants in the extra trailer they manage. But when the care home where Lucien lives lets Maurice know he'll have to move home temporarily due to renovations, Brian’s life dramatically changes. His mother is on her honeymoon, and Lucien can’t stay with her, leaving Brian responsible for Lucien. Although he loves his brother, Brian is too young to care for him by himself, and Maurice is often nowhere to be found. A new, friendly neighbor, Emile, tries to help out but only attracts Maurice’s wrath while the owners of the trailer, Jean and Henri, threaten to evict them. Robben, who has written one other novel for adults (You Have Me To Love, 2018) as well as a number of books for children, skillfully conjures a sense of unease, most notably through Brian’s first-person narration. Like most children who grow up in neglectful or abusive households, Brian does not fully understand that his father’s behavior is inappropriate, dangerous, or both, and he treats his brother with sometimes cavalier disregard, at one point tying him to the bed in order to leave to go see a girl at the care home on whom he has a crush. This can be upsetting, yet Brian’s love for his brother, and Robben’s care in writing his disabled characters, remains clear throughout this nuanced novel.
A sensitive yet unsentimental depiction of poverty and disability from the perspective of an abled character.