A Michael L. Printz Honor Book
ALA Best Fiction for Young Adults
A 2011 USBBY Outstanding International Book
“Complicated and beautiful — this novel left me doubting my emotions and missing a place I'd never been.” — Maggie Stiefvater
“All the tension of lightning, all the terror of thunder. A stunning, scary, and beautiful book.”— John Marsden
* “An emotionally raw thriller…a haunting account of captivity and the power of relationships.” — Publishers Weekly, starred review
“Disturbing, heartbreaking, and beautiful all at once.” — School Library Journal
“A complex psychological study that is also a tribute to the hypnotic beauty of the Outback.” — Booklist
“Taut suspense and a riveting plot in a haunting setting.” — Kirkus
“Has a veracity and immediacy that rivets the reader to the page. Fascinating, disturbing...” — Voice of Youth Advocates
"Complicated and beautiful — this novel left me doubting my emotions and missing a place I'd never been." — Maggie Stiefvater
"All the tension of lightning, all the terror of thunder. A stunning, scary, and beautiful book." — John Marsden
"A vivid new voice for teens." — Melvin Burgess
TheDailyBeast.com, “10 Hot Young Adult titles” roundup, September 16, 2010
BCCB, review, June 2010
“[A]n interesting book for examining what obsessive Twilight-style approaches to love can mean in a real-life context…Readers who can't get enough of Cormier's classic After the First Death will find this induces both shivers and thought.”
Booklist, review, March 15, 2010
“Christopher's first novel is a complex psychological study that is also a tribute to
the hypnotic beauty of the outback.”
Kirkus, review, April 15, 2010
“From its compelling opening, the novel delivers taut suspense and a riveting plot in a haunting setting.”
Publishers Weekly, starred review, April 12, 2010
“Christopher's debut is an emotionally raw thriller…fast-paced novel…It's a haunting account of captivity and the power of relationships.”
School Library Journal, review, June 2010
“Disturbing, heartbreaking, and beautiful all at once, this book is the antithesis of the situational horror in Elizabeth Scott's Living Dead Girl.”
VOYA, review, June 2010
“Stolen has a veracity and immediacy that rivets the reader to the page. Vivid descriptions of the Sandy Desert combine with Gemma's emotional turmoil to evoke a sense of danger. This fascinating, disturbing novel should appeal to teens fourteen and older.”
Gr 9 Up—Sixteen-year-old Gemma, traveling with her parents, is abducted at a Bangkok airport by troubled Ty, a 20-something man from the Outback, in Lucy Christopher's debut novel (Philomel, 2010). Ty has stalked Gemma for years. At the airport he manages to drug her, and then takes her on a flight back to Australia. The novel is written as a first-person narrative told by Gemma in a letter to Ty after her release, revealing the details of the abduction and her feelings, illustrating a classic case of Stockholm syndrome. Gemma has conflicting feelings toward her abductor: she's angry at him for abducting her, but loves him for his care giving. The story darts from escape attempts thwarted by the hostile landscape and climate to Ty's erratic behavior to Ty and Gemma catching a feral camel that plays a large part in Gemma's rescue. Christopher's descriptions of events and intense surroundings are remarkable. She won the 2010 Branford Boase Award for the year's best first novel for young adults published in the United Kingdom, and is short listed for Australia's Prime Minister's Literary Award for Young Adult Fiction. Unfortunately, Emily Gray's narration is uninspired, doing little to enhance the story. The audiobook lacks the suspense of the print version.—Jennifer Ward, Albany Public Library, NY
This debut novel about an English teen's abduction and imprisonment in the Australian outback unfolds as a letter from captive to captor. From its compelling opening, the novel delivers taut suspense and a riveting plot in a haunting setting. Privileged Gemma, 16, is sympathetic and believable. Her captor, Ty, in his late 20s, is a less-successful creation. Abandoned child turned wasted drifter and stalker, Ty is now an expert survivalist, bent on teaching his abductee admiration and respect for the harsh world in which he's imprisoned her. When Gemma's escape attempts end in near death, Ty rescues her, returning her to captivity, using such handy teachable moments to instruct her on outback ecology. While the landscape is beautifully portrayed and deftly mined for subtext and symbolism, the novel can't overcome its central contradiction. Ty-respectful of the struggling desert ecosystem from humblest succulent to deadliest snake, perceiving each element as part of a fragile, interconnected web-has kidnapped Gemma, in violation of her human rights and needs, and imprisoned her thousands of miles from home. (Fiction. 14 & up)
