Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds
Mina’i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina’i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina’i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.

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Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds
Mina’i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina’i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina’i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.

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Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds

Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds

by Richard P. McClary
Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds

Mina'i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds

by Richard P. McClary

Hardcover

$165.00 
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Overview

Mina’i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina’i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina’i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.


Product Details

ISBN-13: 9781399507165
Publisher: Edinburgh University Press
Publication date: 07/31/2024
Series: Edinburgh Studies in Islamic Art
Pages: 360
Product dimensions: 6.69(w) x 9.61(h) x (d)

About the Author

Dr Richard Piran McClary is a Senior Lecturer in Islamic Art and Architecture at the University of York. He received his doctorate from the University of Edinburgh in 2015. He has lectured extensively on a range of subjects related to medieval Islamic art and architecture around the world, and has conducted fieldwork in India, Iran, Turkey, Central Asia and across the Middle East. He held a Leverhulme Trust Early Career Fellowship at the University of Edinburgh from 2015 to 2018, examining the surviving corpus of Qarakhanid architecture in Central Asia. His most recent monograph, Mina’i Ware (Edinburgh UniversityPress, 2024) is the first comprehensive study of polychrome overglaze painted wares, and his second monograph is Medieval Monuments of Central Asia. Qarakhanid Architecture of the 11th and 12th Centuries, (Edinburgh UniversityPress, 2020). His first monograph was Rum Seljuq Architecture 1170-1220. The Patronage of Sultans (Edinburgh UniversityPress, 2017). He has co-edited a volume with Andrew Peacock, entitled Turkish History and Culture in India. Identity, Art and Transregional Connections (Brill, 2020), as well as numerous articles and book chapters on the topic of medieval Islamic architecture and ceramics. He has published articles in numerous journal, including Muqarnas, Iran, Journal of the Royal Asiatic Society and Anatolian Studies. He has served as a trustee and the Research Director for the British Institute of Persian Studies, and is managing editor of the Journal of Islamic Art and Architecture.

Table of Contents

List of FiguresList of TablesSeries Editor's ForewordAcknowledgementsNote on Transliteration

INTRODUCTION Overview and Methodological Approaches to Mina’i Ware

CHAPTER 1 Methods and Materials: The Sources of Materials and the Production Processes of Mina’i Ware

CHAPTER 2 A Taxonomic Approach to Mina’i Ware: A System of Classification

CHAPTER 3 Form: The Shapes and Types of Mina’i Ware Vessels and Tiles

CHAPTER 4 Meanings, Motifs and Messages: The Decoration, Iconography and Epigraphy of Mina’i Ware

CHAPTER 5 The Context, Role and Significance of Mina’i Wares in Persian Miniature Painting

CHAPTER 6 Trade and Transportation: The Diffusion of Mina’i Ware in the Medieval Period

CHAPTER 7 Dealers, Collectors and Curators: The Rise in Fascination with Mina’i Ware in the Early Twentieth Century

CHAPTER 8 Reconstruction and Deconstruction: Changes Made to Mina’i Ware Vessels from the Nineteenth to the Twenty-first Centuries

CONCLUSION From Mina'i to Lajvardina

BibliographyIndex

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