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What Color Is the Wind?

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What Color Is the Wind?

Paperback

$21.95

Paperback
$21.95

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Overview

A blind child asks: what color is the wind? Suddenly awareness that blind and seeing know equally much, just differently.

What Color is the Wind? is an interactive sensory book for kids with beautiful illustrations and a simple, engaging story.

A blind child questions all he encounters––a dog, wolf, elephant, mountain, bird, stream, and tree––about the color of the wind. Each responds differently, with a shape, color, smell, texture, or idea. Each page displays a visual and tactile palette of cutouts, textures, and the pictures that tell the story. Tactile and prodigious in the materials used, this book engages the reader fully, bodily, in an exploration through which they discover the wind as smell, taste, movement, sound, and color. A staple of nature discovery camps and teaching rubrics about the natural world, this is a book through which all children can immerse in their senses and discover much delight!

Product Details
About the Author

Product Details

ISBN-13:	9781592702213
Publisher:	Enchanted Lion
Publication date:	10/04/2016
Pages:	48
Sales rank:	656,070
Product dimensions:	9.80(w) x 9.80(h) x 0.50(d)
Age Range:	5 - 8 Years

About the Author

Born in 1976 and a graduate of the Academy of Fine Arts in Brussels, Anne Herbauts expresses an original world in each of her books. Awake to the richness of the world, endlessly curious, and rigorous in her work, Anne has written and illustrated over 20 books for children, illustrated 5 others, and has published 5 comic books for an older audience. Describing her work she says, "I am in the words and the images at the same time. The realm in which I work is the space between the two." Written in French, her books have been translated into many languages.

From the B&N Reads Blog

Page 1 of

Editorial Reviews

08/08/2016
The question of the title is asked by “the little giant,” a blind boy; Herbauts (Monday) represents his blindness by painting him with his eyes shut throughout. He strides boldly through the pages in a blue sweater and black boots, putting his question to everything he meets—a mountain, a stream, an apple tree. “What color is the wind?” he asks a dog. On the page, a dog-shaped outline is seen in the grass by the boy’s boots. The dog can’t be seen, but it can be felt with a finger; its fur is embossed on the page. “It is pink, flowery, pale white,” the dog answers. Each being’s answer reflects its own nature or experience (“Red!” answers an apple), and there’s a windy surprise at the end. The artwork—inventive, delicate, and innocent—combines paintings overlaid with embossed and varnished areas and even, on the cover, Braille. Herbauts’s visual and verbal poetry draws attention to all the different ways creatures know what they know. It’s not just a read-aloud—it’s a touch-aloud, too, to be shared by blind and sighted children alike. Ages 5–up. (Oct.)

Publishers Weekly

"Herbauts incorporates embossing, die-cut holes, and various shapes in smooth, transparent overlays so that the illustrations require touch as much as sight to apprehend." —Kirkus Reviews

"While this thought-provoking story might go over the heads of some little ones, the offbeat questions, beautiful artwork, and unique multisensory approach will be simply enchanting for creative-minded children." —Booklist

"I think this little book is a bit of a wonder. Deeply appealing to children of all ages, to say nothing of the adults out there, with so many uses, and so many applications. It reminds me of the old picture books by Bruno Munari that weren’t afraid to try new things with the picture book format." —Elizabeth Bird, School Library Journal

"Herbauts paints the sensory landscape with extraordinarily inventive bookmaking techniques...appleseeds peek through a die-cut hole, raindrops gleam embossed on a laminated page, debossed grooves invite the touch of tree bark. What emerges is a parallel invitation to empathy and self-expansion in imagining the world as the unsighted experience it and exploring a different sensorial space than the one we sighted humans ordinarily inhabit. Just as the universe of smell unlocks hidden layers of reality, so does the universe of touch."—Maria Popova, Brain Pickings
"The question of the title is asked by 'the little giant,' a blind boy...He strides boldly through the pages in a blue sweater and black boots, putting his question to everything he meets—a mountain, a stream, an apple tree. 'What color is the wind?' he asks a dog. On the page, a dog-shaped outline is seen in the grass by the boy’s boots. The dog can’t be seen, but it can be felt with a finger; its fur is embossed on the page. 'It is pink, flowery, pale white,' the dog answers. Each being’s answer reflects its own nature or experience ('Red!' answers an apple), and there’s a windy surprise at the end. The artwork—inventive, delicate, and innocent—combines paintings overlaid with embossed and varnished areas and even, on the cover, Braille. Herbauts’ visual and verbal poetry draws attention to all the different ways creatures know what they know. It’s not just a read-aloud—it’s a touch-aloud, too, to be shared by blind and sighted children alike." —Publisher's Weekly
"The illustrations are enchanting, worth touching, too, for their textured surfaces. Readers will like the surprise ending where the little boy feels the wind and learns its color." —Vermont Country Sampler

From the Publisher

2016-08-02
A “little giant” with closed eyes asks the titular question, then sets out to collect answers.Along with abstract and semiabstract visualizations in paint, ink, and fiber collage, Herbauts incorporates embossing, die-cut holes, and various shapes in smooth, transparent overlays so that the illustrations require touch as much as sight to apprehend. Many of the responses to the little giant’s enquiry are likewise as allusive as they are evocative: to a dog the wind is “pink, flowery, pale white,” but to a wolf it’s “the dark smell of the forest.” To a town, it’s the color of “curtains, laundry, clothes,” but to a window, it’s “the color of time”—illustrated with drawings of people with watering cans—and to tree roots (in a scene embossed with a rugged, raised pattern), it’s the color of “sap and pomegranates.” At last the “little” giant meets an “enormous” one, who assures him that it’s all of these together and creates the “wind of the book” by riffling the pages. The tactile elements are printed in very low relief, but they’re pervasive enough among the visual ones to keep blind as well as sighted readers (those of a more poetic or philosophical bent anyway) engaged. The answer, of course, lies beyond words or images. “The blind men and the elephant” reworked into a Zen koan. (Picture book. 9-11, adult)

Kirkus Review

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