Counting Stars
David Almond’s extraordinary novels have established him as an author of unique insight and skill. These stories encapsulate his endless sense of mystery and wonderment, as they weave a tangible tapestry of growing up in a large, loving family. Here are the kernels of his novels—joy and fear, darkness and light, the
healing power of love and imagination in overcoming the wounds of ignorance and prejudice. These stories merge memory and dream, the real and the imagined, in a collection of exquisite tenderness.
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Counting Stars
David Almond’s extraordinary novels have established him as an author of unique insight and skill. These stories encapsulate his endless sense of mystery and wonderment, as they weave a tangible tapestry of growing up in a large, loving family. Here are the kernels of his novels—joy and fear, darkness and light, the
healing power of love and imagination in overcoming the wounds of ignorance and prejudice. These stories merge memory and dream, the real and the imagined, in a collection of exquisite tenderness.
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Counting Stars

Counting Stars

by David Almond
Counting Stars

Counting Stars

by David Almond

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Overview

David Almond’s extraordinary novels have established him as an author of unique insight and skill. These stories encapsulate his endless sense of mystery and wonderment, as they weave a tangible tapestry of growing up in a large, loving family. Here are the kernels of his novels—joy and fear, darkness and light, the
healing power of love and imagination in overcoming the wounds of ignorance and prejudice. These stories merge memory and dream, the real and the imagined, in a collection of exquisite tenderness.

Product Details

ISBN-13: 9780375890109
Publisher: Random House Children's Books
Publication date: 04/23/2002
Sold by: Random House
Format: eBook
Pages: 240
File size: 183 KB
Age Range: 12 Years

About the Author

“I grew up in a big extended Catholic family [in the north of England]. I listened to the stories and songs at family parties. I listened to the gossip that filled Dragone’s coffee shop.
I ran with my friends through the open spaces and the narrow lanes. We scared each other with ghost stories told in fragile tents on dark nights. We promised never-ending friendship and whispered of the amazing journeys we’d take together.

I sat with my grandfather in his allotment, held tiny Easter chicks in my hands while he smoked his pipe and the factory sirens wailed and larks yelled high above. I trembled at the images presented to us in church, at the awful threats and glorious promises made by black-clad priests with Irish voices. I scribbled stories and stitched them into little books. I disliked school and loved the library, a little square building in which I dreamed that books with my name on them would stand one day on the shelves.

Skellig, my first children’s novel, came out of the blue, as if it had been waiting a long time to be told. It seemed to write itself. It took six months, was rapidly taken by Hodder Children’s Books and has changed my life. By the time Skellig came out, I’d written my next children’s novel, Kit’s Wilderness. These books are suffused with the landscape and spirit of my own childhood. By looking back into the past, by re-imagining it and blending it with what I see around me now, I found a way to move forward and to become something that I am intensely happy to be: a writer for children.”

David Almond is the winner of the 2001 Michael L. Printz Award for Kit’s Wilderness, which has also been named best book of the year by School Library Journal, Booklist, and Publishers Weekly. He has been called "the foremost practitioner in children's literature of magical realism." (Booklist) His first book for young readers, Skellig, is a Printz Honor winner. David Almond lives with his family in Newcastle, England.

Read an Excerpt

The Middle of the World

She started with The Universe. Then she wrote The Galaxy, The Solar System, The Earth, Europe, England, Felling, Our House, The Kitchen, The White Chair With A Hundred Holes Like Stars, then her name, Margaret, and she paused.

"What's in the middle of me?" she asked.

"Your heart," said Mary.

She wrote My Heart.

"In the middle of that?"

"Your soul," said Catherine.

She wrote My Soul.

Mam reached down and lifted the front of Margaret's T-shirt and prodded her navel.

"That's where your middle is," she said. "That's where you were part of me."

Margaret drew a row of stick figures, then drew concentric rings growing out from each of them.

"Where's the real middle of the world?" she said.

"They used to think the Mediterranean," said Catherine. "Medi means middle. Terra means world. The sea at the middle of the world."

Margaret drew a blue sea with a green earth around it.

"There was another sea at the edges," said Catherine. "It was filled with monsters and it went right to the end of the world. If you got that far, you just fell off."

Margaret drew this sea. She put fangs and fins for monsters.

"There's no end, really, is there?" she said.

"No," said Catherine.

"And there's no middle, is there?"

Catherine laughed.

"Not really."

Mam prodded Margaret's navel again.

"That's the middle of the world," she said.

Later that day we went to the grave. Colin rushed home from Reyrolle's on his Vespa for lunch. He bolted his food and rattled away again. We heard the scooter taking him on to Felling Bank and down towardthe square.

When it faded, Mary said,

"Should we go to the grave today?"

We hadn't been for months. We thought of the dead being in Heaven rather than being in the earth.

"Good idea," said Mam. "I'll make some bara brith for when you get home."

We were on the rocky path at the foot of the street when Dandy ran after us. He was a little black poodle that was never clipped and had horrible breath.

"Go home!" said Mary. "Dandy, go home!"

He yapped and growled and whined.

"Dandy, go home!"

No good. We just had to let him trot along beside us.

Margaret fiddled with her navel as she walked.

"When I started," she said, "what was I like?"

"What do you think you were like?" said Mary. "Like a gorilla? You were very very very little. You were that little, you couldn't even be seen. You were that little, nobody even knew you were blinkin there!"

"Daft dog," said Catherine, as Dandy ran madly through a clump of foxgloves and jumped at bees.

Soon we saw Auntie Jan and Auntie Mona ahead of us. They wore head scarves and carried shopping bags on their arms.

"Bet you can't tell which is which," said Mary.

"Even when they're talking to me I can't tell which is which," said Margaret.

The two aunts hurried into Ell Dene Crescent.

"Did they look the same when nobody knew they were there?" said Margaret.

"Of course they did!" said Mary. "Everybody looks the same when they can't be blinkin seen!"

The aunts waved and grinned and we all waved and Dandy yapped and then they hurried on again down into Ell Dene Crescent.

Mary picked daisies from the verges as we walked.

She said, "Dad once said that daisies were the best of all flowers. I think I remember that."

"You do," said Catherine. "You do remember. He called them day's eyes. Awake in the day and closed asleep at night."

Further on, Daft Peter lay in his greatcoat under a tree on The Drive.

"Not him!" said Catherine. "We'll never get away from him!"

We sat on a bench on Watermill Lane.

"How far is it?" said Margaret.

"You know how far," said Mary.

"Nowhere's far in Felling," said Catherine.

We watched Daft Peter.

"Move," said Catherine. "Go on. Move."

"Is Felling very small?" said Margaret.

Mary stamped her feet.

"Yes," said Catherine.

"Is it the smallest place in the world?"

"Is this Daft Question Day?" said Mary.

"Yes!" said Margaret.

"It's very small," said Catherine. "But there's smaller places."

"Where?"

"Places in the desert," said Mary. "Rings of huts in the jungle. Villages in the Himalayas."

"Yes," said Catherine. "And places like Hebburn or Seaton Sluice."

"Not Seaton Sluice," said Mary. "It's got that big beach. It's got to be bigger than Felling. And Hebburn's got that big new shopping center."

Catherine sighed.

"Windy Nook, then," she said.

"That's not fair," said Mary. "Windy Nook's a part of somewhere else."

"Where, then? And make it somewhere we know."

"Bill Quay," said Mary.

No one said anything, even though we all knew Bill Quay was part of somewhere else as well.

"Thank goodness," said Catherine. "Bill Quay."

Daft Peter didn't move. In the end, we walked on. Dandy snarled as we drew nearer to the man.

"Dandy!" said Catherine.

Daft Peter smiled and rubbed his eyes.

"Here's me thought I was dreamin," he said. "And all the time I'm just wakin up."

He leaned against the tree.

"What would ye say if I knew how to turn swimmin fish into flyin fowl?" he said.

"Take no notice," whispered Catherine.

"Not much at all, I see," said Peter. "But what if I said I could take you girls and show you how to fly aroond this tree."

"I'd say you couldn't!" said Mary.

"Aha!" said Peter. "Just let me look inside this bag, then."

He dug into a brown bag. He took out a sandwich, something bright red and black hanging out of two dried-out slices of bread. He held it out to Mary as we approached.

"Take a bite of that," he said. "Go on, take a bite of that and see."

Dandy jumped up at him, barking and snarling. Daft Peter flailed and kicked and the sandwich flew into the road.

"Daft dog!" he shouted. "Look what ye've done to me dinna!"

We hurried past.

"What would ye say if I turned a daft dog into a nice meat pie?" yelled Peter.

"I'd say it would be very hairy and it would stink!" said Mary.

Reading Group Guide

This guide was prepared by Clifford Wohl, educational consultant.

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