Narrator Lisa Stathoplos maintains a steady pace throughout this lengthy and interesting story of five female abstract expressionist painters who were often overshadowed by their more famous husbands and fellow artists. Stathoplos’s thoughtfully placed emphasis on the many quotes taken from interviews, journals, and critical writings keeps the narrative exciting. Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler lived and painted their own way, never behaving as women of their time were expected to. Intimate and juicy details abound of their alcohol- and jazz-fueled interactions with the avant-garde painters and poets, writers and thinkers of their day. The audiobook, enlivened by this superb reading, educates and entertains on several levels—New York’s post-WWII art scene, history as seen through the eyes of artists, and women’s studies. J.E.S. Winner of AudioFile Earphones Award © AudioFile 2019, Portland, Maine

Ninth Street Women is supremely gratifying, generous and lush but also tough and precise—in other words, as complicated and capacious as the lives it depicts. The story of New York's postwar art world has been told many times over, but by wresting the perspective from the boozy, macho brawlers who tended to fixate on themselves and one another, Gabriel has found a way to newly illuminate the milieu and upend its clichés…There's so much material roiling in Ninth Street Women, from exalted art criticism to the seamiest, most delicious gossip, that it's hard to convey even a sliver of its surprises…Gorgeous and unsettling…it's as if once Gabriel got started, the canvas before her opened up new vistas. We should be grateful she yielded to its possibilities.

★ 06/18/2018
Gabriel (Love and Capital) delivers an immersive group biography of Helen Frankenthaler, Grace Hartigan, Elaine de Kooning, Lee Krasner, and Joan Mitchell—eclectic, free-spirited painters who, with their artist husbands and partners, shocked the art world in the 1940s and ’50s with abstract expressionism. The hard-fought ascent of these artists occurred amid years of poverty in spartan New York City apartments (the de Koonings sold their blood to buy kerosene to heat their home). When the market for abstract expressionism boomed in the late 1950s, collectors snapped up blue-chip works by male artists, but women artists, despite their contributions to the movement, were largely written out of the story. Gabriel’s heavy use of firsthand accounts gives the narrative an intimate feel and exposes often painful personal lives, as exemplified by Krasner’s difficult marriage with Jackson Pollock, whose descent into alcoholism and grisly death makes for difficult reading. Through the lens of these women’s lives, Gabriel delivers a sweeping history of abstract expressionism and the postwar New York School, and an affectionate tribute to the underappreciated women of America’s avant-garde. Illus. (Sept.)

"A gorgeous and unsettling narrative...Ninth Street Women is supremely gratifying, generous, and lush but also tough and precise -- in other words, as complicated and capacious as the lives it depicts...It's as if once Gabriel got started, the canvas before her opened up new vistas. We should be grateful she yielded to its possibilities."—Jennifer Szalai, New York Times

"Ninth Street Women is like a great, sprawling Russian novel, filled with memorable characters and sharply etched scenes. It's no mean feat to breathe life into five very different and very brave women, none of whom gave a whit about conventional mores. But Ms. Gabriel fleshes out her portraits with intimate details, astute analyses of the art and good old-fashioned storytelling."—Ann Landi, Wall Street Journal

"Ninth Street Women is a must read...Gabriel seamlessly weaves the intimate and the public, the lives and the art, making us feel we were there...It is a story that is a part of the American story, told here in vivid, meaningful detail, an absolutely pivotal text."—Margaret Randall, Women's Review of Books

"Gabriel's fascinating group portrait shimmers with vivid personal detail...She traces their interwoven paths from studio to Cedar Bar to the Eight Street loft known as the Club...Over time, Willem de Kooning outshone Elaine; Jackson Pollock eclipsed Krasner. Key contributions were erased...Gabriel makes sure these major artists who have been written out of history are not forgotten."—Jane Ciabattari, BBC.com

"Masterful. Mixing critical insight with juicy storytelling, Mary Gabriel brings five brilliant female painters to the fore of the art revolution that cut a wide swath in postwar America."—Patricia Albers, author of Joan Mitchell: Lady Painter

"Gripping and enthralling, Mary Gabriel made me share every turbulent moment of these remarkable women's lives. A magisterial reference, this book will be the definitive text for years to come. It is also the most devastatingly accurate portrayal of five women who had the temerity to call themselves artists in the male-dominated twentieth century."—Deirdre Bair, author of Al Capone: His Life, Legacy, and Legend

"I loved every page of this necessary book. At last we see such once-sidelined artists as Joan Mitchell and Elaine de Kooning in depth, and both the telling gossip of their lives and the brave authenticity of their work are thrilling. Mary Gabriel restores the humanist ambition at the core of all the New York painters of this era, whether male or female--the boldness of their risky lives and the seriousness of their noble enterprise."—Brad Gooch, author of Rumi's Secret: The Life of the Sufi Poet of Love

"Sheer delight. A richly detailed epic starring not only five heroic female painters, but a supporting cast that defines the entire existential and Beat era, from Frank O'Hara to Billie Holiday to Samuel Beckett. Gabriel's vision of Lee Krasner jazz dancing with Piet Mondrian alone is worth the price of the book. With palpable empathy for the flawed brilliance of her five stars, their jealous foes, and their long-suffering enablers, Gabriel conjures the high-risk paths they chose, what making great art cost their lives, and what they lost and won in the end."—Michael Findlay, director of Acquavella Galleries and author of Seeing Slowly: Looking at Modern Art

"A colorful narrative as compelling as a novel. Gabriel brilliantly shows how the women of Abstract Expressionism carved out paths for themselves in an often hostile community, fashioning careers and producing exciting work fully as important as that of their male peers--men whom they befriended, married, bedded, or disdained."—Mary V. Dearborn, author of Ernest Hemingway: A Biography

"A fascinating, meticulously researched account of five painters who broke through the gender barriers in the art world of the 1950s. Gabriel is deft at teasing out the behind-the-scenes drama in these women's lives and careers. Essential reading for any student of the period, and of the New York School generally."—David Salle, author of How to See: Looking, Talking, and Thinking About Art

"A sweeping panorama of American art history in the decades around World War II--specifically Abstract Expressionism and the rise of U.S. art world dominance internationally. A major contribution to the literature of twentieth-century cultural and social history."—Julia Van Haaften, author of Berenice Abbott: A Life in Photography

"Gabriel delivers an immersive group biography of eclectic, free-spirited painters who shocked the art world in the 1940s and '50s with abstract expressionism...Through the lens of these women's lives, Gabriel delivers a sweeping history of abstract expressionism and the postwar New York School, and an affectionate tribute to the underappreciated women of America's avant-garde."—Publishers Weekly (starred review)

"Gabriel has created an ambitious, comprehensive, and impressively detailed history of abstract expressionism focused on the lives and works of Elaine de Kooning, Lee Krasner, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler...A sympathetic, authoritative collective biography."—Kirkus Reviews (starred review)

"Biographer Gabriel corrects long-standing misperceptions about New York's abstract-expressionism movement by telling the dramatic, often traumatic stories of the five gifted and courageous women painters at the center of that radical flowering...avidly researched, deeply analyzed, gorgeously written, and endlessly involving five-track mix of biography and history... Gabriel not only provides vibrantly detailed accounts of these five exceptional avant-garde artists' friendships and rivalries, affairs and marriages, doubt and despair, conviction and resilience; she also establishes a richly dimensional context for their struggles and innovations...Gabriel has created an incandescent, engrossing, and paradigm-altering art epic."—Booklist (starred review)

"These individuals are brought to life by Pulitzer Prize finalist Gabriel, who shows how each defied social convention and professional boundaries to create new creative forms and attain equality with their male counterparts. . . . A must for modern art historians and enthusiasts."—Library Journal (starred review)

"More than a compilation of biographical tales, Gabriel's book is a reminder of the importance of women to an artistic genre long associated with masculinity. But it is also is a vivid portrait of the very nature of the artist. The stars of the era suffered and sinned as mortals, but their works -- and their creative appetites -- were otherworldly. Ninth Street Women gets us a just a little bit closer to their galaxy."—Karen Sandstrom, Washington Post

Narrator Lisa Stathoplos maintains a steady pace throughout this lengthy and interesting story of five female abstract expressionist painters who were often overshadowed by their more famous husbands and fellow artists. Stathoplos’s thoughtfully placed emphasis on the many quotes taken from interviews, journals, and critical writings keeps the narrative exciting. Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler lived and painted their own way, never behaving as women of their time were expected to. Intimate and juicy details abound of their alcohol- and jazz-fueled interactions with the avant-garde painters and poets, writers and thinkers of their day. The audiobook, enlivened by this superb reading, educates and entertains on several levels—New York’s post-WWII art scene, history as seen through the eyes of artists, and women’s studies. J.E.S. Winner of AudioFile Earphones Award © AudioFile 2019, Portland, Maine

★ 2018-06-18
From 1929 to 1959, five women were central to a profound artistic revolution.Drawing on memoirs, more than 200 interviews, a huge trove of archival material, and a wide range of books and articles, Gabriel (Love and Capital: Karl and Jenny Marx and the Birth of a Revolution, 2011, etc.) has created an ambitious, comprehensive, and impressively detailed history of abstract expressionism focused on the lives and works of Elaine de Kooning, Lee Krasner, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler. The author effectively sets her subjects in historical and cultural context, including "the ever-changing role of women in U.S. society, and the often overlooked spiritual importance of art to humankind." The last goal is realized best through the testimonies of the women themselves about the significance of art to their spiritual well-being. Of different generations and often rivals, they did not cohere into a group, but they shared "courage, a spirit of rebellion, and a commitment to create." They noisily railed against being ignored by the art establishment, angry that their husbands or lovers (Elaine's Willem de Kooning and Krasner's Jackson Pollock, for example) won attention and accolades while they were assumed "to accept the part of a grateful appendage" or, at best, a muse. Pollock, touted in a Life magazine profile as possibly "the greatest living painter in the United States," emerged as the first artist celebrity. Gabriel takes her title from a groundbreaking exhibition organized, mounted, and publicized by artists in May 1951 that made the New York School of painters—the term was coined by Robert Motherwell—instantly visible. Although gaining critical attention, the first generation of New School artists struggled financially, working and living in unheated studios, subsisting on meager meals, trading art for food, and fueling themselves with copious amounts of alcohol. Their "community of goodwill and creativity" was undermined by betrayal, infidelity, and drunkenness. The author traces the changing art world with the influx of new galleries and "a tidal wave of money" as art caught on as an investment.A sympathetic, authoritative collective biography.