The Hired Girl

The Hired Girl

by Laura Amy Schlitz
The Hired Girl

The Hired Girl

by Laura Amy Schlitz

eBook

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Overview

Winner of the 2016 Scott O’Dell Award for Historical Fiction
A 2016 Association of Jewish Libraries Sydney Taylor Award Winner
Winner of the 2016 National Jewish Book Award for Children’s and Young Adult Literature

Newbery Medalist Laura Amy Schlitz brings her delicious wit and keen eye to early twentieth-century America in a moving yet comedic tour de force.

Fourteen-year-old Joan Skraggs, just like the heroines in her beloved novels, yearns for real life and true love. But what hope is there for adventure, beauty, or art on a hardscrabble farm in Pennsylvania where the work never ends? Over the summer of 1911, Joan pours her heart out into her diary as she seeks a new, better life for herself—because maybe, just maybe, a hired girl cleaning and cooking for six dollars a week can become what a farm girl could only dream of—a woman with a future. Newbery Medalist Laura Amy Schlitz relates Joan’s journey from the muck of the chicken coop to the comforts of a society household in Baltimore (Electricity! Carpet sweepers! Sending out the laundry!), taking readers on an exploration of feminism and housework; religion and literature; love and loyalty; cats, hats, and bunions.


Product Details

ISBN-13: 9780763679439
Publisher: Candlewick Press
Publication date: 09/08/2015
Sold by: Barnes & Noble
Format: eBook
Sales rank: 435,675
Lexile: 810L (what's this?)
File size: 6 MB
Age Range: 12 - 17 Years

About the Author

Laura Amy Schlitz is the author of the Newbery Medal–winning Good Masters! Sweet Ladies! Voices from a Medieval Village, the Newbery Honor Book and New York Times bestseller Splendors&Glooms, and several other books for young readers. A teacher as well as a writer, Laura Amy Schlitz lives in Maryland.

Laura Amy Schlitz is the author of the Newbery Medal–winning Good Masters! Sweet Ladies! Voices from a Medieval Village, the Newbery Honor book and New York Times bestseller Splendors&Glooms, and several other books for young readers. A teacher as well as a writer, Laura Amy Schlitz lives in Maryland.

Laura Amy Schlitz says that as a child, she was very lucky. “My parents gave me plenty of time to play and dream. Often, I pretended to be someone else; a ballerina, a horse, a mermaid, a spy. My brother and I ruled over a kingdom of stuffed animals—I was ‘The Great Laurie’, and the national anthem was the ‘Grand March’ from Aida.” She adored fairies and fairy tales. “I gathered bread crusts and hid them under the dining-room table—people in fairy tales were often described as ‘not having a crust to eat,’ and I was determined to save my family from this fate.” She also taught herself to sleep in the flying-leap pose, favored by Peter Pan on the cover of her fairy tale book so that if Peter dropped by when she was asleep, he would know, from her body position, that she was willing to join him in Neverland. “He has yet to turn up, but I still sleep in that position, though I wake with a stiff back.”

Laura Amy has made her living as a librarian, although she took a couple of years off to tour with a children’s theater: “It was a gloriously free and disorganized life, but eventually, I had no money at all.” She still loves the theater, and wrote her first stage play for a friend who needed a last-minute script for Beauty and the Beast. It turned out better than anyone expected, and Laura Amy Schlitz became a playwright whose plays have been produced in professional theaters all over the country. She loves to make things: bread, marionettes, quilts, watercolors, origami animals. She says, “My hands get restless if I can’t make things.” For the past thirteen years, she has worked as a school librarian, about which she says, “I am so grateful that I work with children—they make me laugh, and their energy reminds me to enjoy life.”

About her writing, she notes, “I do a lot of complaining. People often ask why I write, when I hate it so much. I answer that I write because I am under a curse. I keep meaning to give up writing, but I haven’t gotten around to it yet. I dread sitting down to write, and I have to resort to tricks to get myself to the paper. ‘One half hour, or one page,’ I promise myself, ‘then you can get up and do something you like.’ I go to the bathroom, take the telephone off the hook, fill my fountain pen, get myself a glass of water, and sit down. Once I sit, my rear end has to stay in place until I’ve written. I often say that I write with my rear end—it’s the ballast that holds me steady while I fight for words.”

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