Eragon (Inheritance Cycle #1)

Eragon (Inheritance Cycle #1)

by Christopher Paolini
Eragon (Inheritance Cycle #1)

Eragon (Inheritance Cycle #1)

by Christopher Paolini

Hardcover(Signed Edition)

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Overview

When Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy; perhaps it will buy his family meat for the winter. But when the stone brings a dragon hatchling, Eragon realizes he has stumbled upon a legacy nearly as old as the Empire itself. Overnight his simple life is shattered, and he is thrust into a perilous new world of destiny, magic, and power. With only an ancient sword and the advice of an old storyteller for guidance, Eragon and the fledgling dragon must navigate the dangerous terrain and dark enemies of an Empire ruled by a king whose evil knows no bounds. Can Eragon take up the mantle of the legendary Dragon Riders? The fate of the Empire may rest in his hands....

Product Details

ISBN-13: 9780593811467
Publisher: Random House Children's Books
Publication date: 11/24/2023
Series: The Inheritance Cycle
Edition description: Signed Edition
Pages: 528
Product dimensions: 5.70(w) x 9.10(h) x 1.70(d)
Lexile: 710L (what's this?)
Age Range: 12 - 17 Years

About the Author

About The Author
CHRISTOPHER PAOLINI. Author of the Inheritance Cycle (Eragon, Eldest, Brisingr, Inheritance). Creator of the World of Eragon and the Fractalverse. Holder of the Guinness World Record for youngest author of a bestselling series. Qualified for marksman in the Australian army. Scottish laird. Dodged gunfire . . . more than once. As a child was chased by a moose in Alaska. Has his name inscribed on Mars. Firstborn of Kenneth and Talita. Husband. Father. Asker of questions and teller of stories.

Read an Excerpt

Prologue
Shade of Fear
Wind howled through the night, carrying a scent that would change the world. A tall Shade lifted his head and sniffed the air. He looked human except for his crimson hair and maroon eyes.
He blinked in surprise. The message had been correct; they were here. Or was it a trap? He weighed the odds, then said icily, “Spread out; hide behind trees and bushes. Stop whoever is coming . . . or die.”
Around him shuffled twelve Urgals with short swords and round iron shields painted with black symbols. They resembled men with bowed legs and thick, brutish arms made for crushing. A pair of twisted horns grew above their small ears. The monsters hurried into the brush, grunting as they hid. Soon the rustling quieted and the forest was silent again.
The Shade peered around a thick tree and looked up the trail. It was too dark for any human to see, but for him the faint moonlight was like sunshine streaming between the trees; every detail was clear and sharp to his searching gaze. He remained unnaturally quiet, a long pale sword in his hand. A wire-thin scratch curved down the blade. The weapon was thin enough to slip between a pair of ribs, yet stout enough to hack through the hardest armor.
The Urgals could not see as well as the Shade; they groped like blind beggars, fumbling with their weapons. An owl screeched, cutting through the silence. No one relaxed until the bird flew past. Then the monsters shivered in the cold night; one snapped a twig with his heavy boot. The Shade hissed in anger, and the Urgals shrank back, motionless. He suppressed his distaste—they smelled like fetid meat—and turned away. They were tools, nothing more.
The Shade forced back his impatience as the minutes became hours. The scent must have wafted far ahead of its owners. He did not let the Urgals get up or warm themselves. He denied himself those luxuries, too, and stayed behind the tree, watching the trail. Another gust of wind rushed through the forest. The smell was stronger this time. Excited, he lifted a thin lip in a snarl.
“Get ready,” he whispered, his whole body vibrating. The tip of his sword moved in small circles. It had taken many plots and much pain to bring himself to this moment. It would not do to lose control now.
Eyes brightened under the Urgals’ thick brows, and they gripped their weapons tighter. Ahead of them, the Shade heard a clink as something hard struck a loose stone. Faint smudges emerged from the darkness and came down the trail.
Three white horses with riders cantered toward the ambush, their heads held high and proud, their coats rippling in the moonlight like liquid silver.
On the first horse was an elf with pointed ears and elegantly slanted eyebrows. His build was slim but strong, like a rapier. A powerful bow was slung on his back. A sword pressed against his side opposite a quiver of arrows fletched with swan feathers.
The last rider had the same fair face and angled features as the other. He carried a long spear in his right hand and a white dagger at his belt. A helm of extraordinary craftsmanship, wrought with amber and gold, rested on his head.
Between these two rode a raven-haired elven lady, who surveyed her surroundings with poise. Framed by long black locks, her deep eyes shone with a driving force. Her clothes were unadorned, yet her beauty was undiminished. At her side was a sword, and on her back a long bow with a quiver. She carried in her lap a pouch that she frequently looked at, as if to reassure herself that it was still there.
One of the elves spoke quietly, but the Shade could not hear what was said. The lady answered with obvious authority, and her guards switched places. The one wearing the helm took the lead, shifting his spear to a readier grip. They passed the Shade’s hiding place and the first few Urgals without suspicion.
The Shade was already savoring his victory when the wind changed direction and swept toward the elves, heavy with the Urgals’ stench. The horses snorted with alarm and tossed their heads. The riders stiffened, eyes flashing from side to side, then wheeled their mounts around and galloped away.
The lady’s horse surged forward, leaving her guards far behind. Forsaking their hiding, the Urgals stood and released a stream of black arrows. The Shade jumped out from behind the tree, raised his right hand, and shouted, “Garjzla!”
A red bolt flashed from his palm toward the elven lady, illuminating the trees with a bloody light. It struck her steed, and the horse toppled with a high-pitched squeal, plowing into the ground chest-first. She leapt off the animal with inhuman speed, landed lightly, then glanced back for her guards.
The Urgals’ deadly arrows quickly brought down the two elves. They fell from the noble horses, blood pooling in the dirt. As the Urgals rushed to the slain elves, the Shade screamed, “After her! She is the one I want!” The monsters grunted and rushed down the trail.
A cry tore from the elf’s lips as she saw her dead companions. She took a step toward them, then cursed her enemies and bounded into the forest.
While the Urgals crashed through the trees, the Shade climbed a piece of granite that jutted above them. From his perch he could see all of the surrounding forest. He raised his hand and uttered, “Böetq istalri!” and a quarter-mile section of the forest exploded into flames. Grimly he burned one section after another until there was a ring of fire, a half-league across, around the ambush site. The flames looked like a molten crown resting on the forest. Satisfied, he watched the ring carefully, in case it should falter.
The band of fire thickened, contracting the area the Urgals had to search. Suddenly, the Shade heard shouts and a coarse scream. Through the trees he saw three of his charges fall in a pile, mortally wounded. He caught a glimpse of the elf running from the remaining Urgals.
She fled toward the craggy piece of granite at a tremendous speed. The Shade examined the ground twenty feet below, then jumped and landed nimbly in front of her. She skidded around and sped back to the trail. Black Urgal blood dripped from her sword, staining the pouch in her hand.
The horned monsters came out of the forest and hemmed her in, blocking the only escape routes. Her head whipped around as she tried to find a way out. Seeing none, she drew herself up with regal disdain. The Shade approached her with a raised hand, allowing himself to enjoy her helplessness.
“Get her.”
As the Urgals surged forward, the elf pulled open the pouch, reached into it, and then let it drop to the ground. In her hands was a large sapphire stone that reflected the angry light of the fires. She raised it over her head, lips forming frantic words. Desperate, the Shade barked, “Garjzla!”
A ball of red flame sprang from his hand and flew toward the elf, fast as an arrow. But he was too late. A flash of emerald light briefly illuminated the forest, and the stone vanished. Then the red fire smote her and she collapsed.
The Shade howled in rage and stalked forward, flinging his sword at a tree. It passed halfway through the trunk, where it stuck, quivering. He shot nine bolts of energy from his palm—which killed the Urgals instantly—then ripped his sword free and strode to the elf.
Prophecies of revenge, spoken in a wretched language only he knew, rolled from his tongue. He clenched his thin hands and glared at the sky. The cold stars stared back, unwinking, otherworldly watchers. Disgust curled his lip before he turned back to the unconscious elf.
Her beauty, which would have entranced any mortal man, held no charm for him. He confirmed that the stone was gone, then retrieved his horse from its hiding place among the trees. After tying the elf onto the saddle, he mounted the charger and made his way out of the woods.
He quenched the fires in his path but left the rest to burn.
Copyright© 2003 by Christopher Paolini

Reading Group Guide

1. Family and Home

Eragon’s family is very important to him, although he never knew his parents. Who do you think Eragon’s parents were? Why is his father’s identity a mystery, and why did his mother bring him to her brother to raise and then disappear? Could Eragon have prevented his uncle’s death?

What was Eragon’s life like before he found the dragon’s egg? How did his discovery of the egg change his life? Do you think Eragon found the egg or the egg was deliberately sent to him?

Why was Eragon comfortable exploring the Spine when everyone else in his village was afraid of the place? What does the Spine represent to the other inhabitants of Carvahall?

Does Brom know that Eragon is special from the beginning? Has he been watching Eragon all along, knowing what his destiny will be? Why do you think Brom settled in Carvahall as the village storyteller?

Do you think Eragon will ever be able to return to the Palancar Valley and Carvahall? He longs for his home in the midst of his adventures, but will he return to the farm when his adventures are over?
Destiny and Responsibility
The first line of the story reads: “Wind howled through the night, carrying a scent that would change the world.” What does this opening tell you about the meaning of destiny in the tale? What does the author mean by “a scent that would change the world”?
Names are very important in this story. How does it affect Eragon to learn that his name was also the name of the first Dragon Rider? How does he choose Saphira’s name?
What does Saphira mean when she says, “It is our destiny to attemptthe impossible, to accomplish great deeds regardless of fear. It is our responsibility to the future”? Is this true for everyone? What is the responsibility of each of us to the future?
Why does Eragon’s magic diminish his own strength every time he uses it?
Angela the fortuneteller says, “To know one’s fate can be a terrible thing.” Would you want to know your future if someone could tell you? Why does Eragon decide to hear her predictions? What does she mean when she says, “That freedom [to choose your fate] is a gift, but it is also a responsibility more binding than chains”?
How does Eragon feel about his fate as a Dragon Rider? What are the benefits of his new life? What are the dangers? Would you choose to take on the responsibilities Eragon has–caring for Saphira, rescuing Arya, helping the Varden, fighting the Empire?

2. Destiny and Responsibility

The first line of the story reads: “Wind howled through the night, carrying a scent that would change the world.” What does this opening tell you about the meaning of destiny in the tale? What does the author mean by “a scent that would change the world”?

Names are very important in this story. How does it affect Eragon to learn that his name was also the name of the first Dragon Rider? How does he choose Saphira’s name?

What does Saphira mean when she says, “It is our destiny to attempt the impossible, to accomplish great deeds regardless of fear. It is our responsibility to the future”? Is this true for everyone? What is the responsibility of each of us to the future?

Why does Eragon’s magic diminish his own strength every time he uses it?

Angela the fortuneteller says, “To know one’s fate can be a terrible thing.” Would you want to know your future if someone could tell you? Why does Eragon decide to hear her predictions?

What does she mean when she says, “That freedom [to choose your fate] is a gift, but it is also a responsibility more binding than chains”?

How does Eragon feel about his fate as a Dragon Rider? What are the benefits of his new life? What are the dangers? Would you choose to take on the responsibilities Eragon has–caring for Saphira, rescuing Arya, helping the Varden, fighting the Empire?

3. Trust and Fear

Why does Brom want to travel with Eragon when he is forced to leave his home? How does Eragon know that he can trust Brom?

Who are the Ra’zac and what do they represent to Eragon?

When Eragon realizes that Arya is an elf, does it change his feelings about her? Why does he rescue her from the prison even though it puts his own rescue in jeopardy?

How does Eragon feel when he learns about Murtagh’s parentage? Does the fact that Murtagh’s father was Morzan affect Eragon’s trust of him? Does it affect your feelings about his character?
When Eragon finds the stronghold of the Varden, he is confronted by the Twins. Why does Ajihad trust the Twins? Why do they treat Eragon with suspicion?

4. Good and Evil

Many fantasy novels deal with the struggle between forces of good and evil. Discuss the ways in which Eragon explores this theme and which characters represent good and evil.

The story begins with the Shade and his ruthless ambush of the elf Arya. How did this Prologue affect your anticipation of the story to come? Why is the Prologue titled “Shade of Fear”?

Are there characters who represent pure good and pure evil? Discuss the ways in which an author shows us a character’s true nature. How does a character’s life experience shape his or her actions?

How did Galbatorix establish his rule of Alagaësia? What experiences turned him into a cruel and feared ruler? What do we learn of the Shade’s past when he is killed?

The Urgals seem to be completely ruthless, yet Eragon is hesitant to kill them with his magic in Chapter 30. Why does he only use his magic to stun them? Why is he so upset when Murtagh kills Torkenbrand, the slave trader?

5. Connecting Fantasy to Real Life

What kinds of good and evil do you hear about in the news? Discuss examples from news stories that report events representing the good and evil in our society and around the world.

What circumstances can bring people together to become friends and what can make those friendships grow and develop? What circumstances can hurt a friendship?

Do you feel that some people have a destiny to fulfill or a special reason for living? Name people in history who had a strong responsibility to a cause for good or evil. (Possibilities would be Abraham Lincoln, Gandhi, and Martin Luther King for good causes and Adolf Hitler, Attila the Hun, and Josef Stalin for evil.)

Introduction

Introducing Fantasy
Fantasy is a form of literature that presents psychological realities in an imaginative or fantastical way. Using myth and folklore as a background, modern writers of fantasy set their stories in an imagined world or in a real-life setting where magical events take place.

Pre-reading Activity
Ask the group to discuss folk tales and myths they remember hearing or reading in the past. Who were the characters who fought for good, and who were the evil characters? Ask them to describe to each other scenes they remember from those stories. How was magic used? What emotions did the stories evoke? What do they remember about dragons in those early tales? Make a list of character traits exhibited by heroes and villains from folk tales and myths. Which of these traits are most important in real-life situations?

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