In Taback's (Joseph Had a Little Overcoat) ingenious take on the cumulative tale, there's a die-cut hole where the old lady's stomach should be, so the audience can see where everything she swallows ends up. What's more, the hole grows bigger to accommodate the increasing gastro-populationby the tale's end, it's the size and shape of the horse that causes her demise. The digested wide-eyed animals float in a confetti-dusted space (which matches her dress), while everything about the elderly woman's exterior is equally askew, including the pupils in her eyes. Older children should get a kick out of the amusing asides liberally tucked into every spread. For example, there are bogus front page headlines ("LADY WOLFS DOWN DOG" screams one); a recipe for "Spider's Soup"; editorial comments by the menagerie and Taback himself ("Even the artist is crying," says a small caricature of Taback when she meets her gluttonous end); as well as factual information (various types of flies, birds or dogs are clearly labeled and paired with accurate pictures). The gleefully dizzy mood is intensified by Taback's use of black hand-lettered words set in blocks of bright colors laid atop orange or black backgrounds, and occasionally sprinkled with collage images (whose sources range from old field guides to the Wall Street Journal). Children of all ages will joyfully swallow this book whole. All ages. (Sept.)

PreS-Gr 3--From cover to moral (never swallow a horse), this cleverly illustrated version of an old folk favorite will delight children. Each page is full of details and humorous asides, from the names of different types of birds, to a recipe for spider soup, to the rhyming asides from the spectating animals. As for the old lady, with her toothy grin and round bloodshot eyes, she looks wacky enough to go so far as to swallow a horse. A die-cut hole allows readers to see inside her belly, first the critters already devoured and, with the turn of the page, the new animal that will join the crowd in her ever-expanding stomach. The pattern of the lady's dress, with its patchwork of bright, torn colored paper pasted on black, is used as the background motif for the words. The text is handwritten on vivid strips of paper that are loosely placed on the patterned page, thus creating a lively interplay between the meaning of the words and their visual power. All in all, this illustrator provides an eye-catching, energy-filled interpretation that could easily become a classic in itself.--Martha Topol, Traverse Area District Library, Traverse City, MI

A die-cut hole approach to an old favorite that offers a view of the old lady's stomach and its expanding bestiary. The text has the look of a ransom note (a touch the devoured creatures might appreciate), but the jaunty colors—set skipping by a judicious use of black—keep the dark side of the poem at bay. Those accustomed to the streamlined version of this ditty won't know what to make of the comments scattered throughout the pages, little asides quipped by animals not yet swallowed; these rhyme with the "perhaps she'll die" line of the poem. Fortunately, these additions can be easily ignored or inflated according to taste, and full concentration given to the poem itself and the wild, eye-catching artwork: It is good fun to watch the old lady bulge and bloat, and the sheer corniness of the verse continues to be deeply gratifying.

One cannot help but start to hum when one sees this familiar title. The American folk poem begs to be visualized as well. Simms Taback’s magnificent bright-on-dark mixed-media and collage creation won the Caldecott Honor Award and captivates book lovers both young and old. Tom Chapin culminates this recording with an authentic, jaunty rendition of the favorite tune, but not before he has read the song as story. In doing this, he provides pauses to savor the details of Taback’s work--the myriad of fly types, the newspaper headlines of creature disaster, and the increasing size of the old lady. The pleasure is the listener’s, as well as Chapin’s. A.R. 2003 Grammy Award Winner for Best Spoken Word Album for Children © AudioFile 2002, Portland, Maine