Samira Surfs
A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls.

Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama, baba, and brother, there's before Samira saw the Bengali surfer girls of Cox's Bazar, and after, when she decides she'll become one.

Samira Surfs, written by Rukhsanna Guidroz with illustrations by Fahmida Azim, is a tender novel in verse about a young Rohingya girl's journey from isolation and persecution to sisterhood, and from fear to power.
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Samira Surfs
A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls.

Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama, baba, and brother, there's before Samira saw the Bengali surfer girls of Cox's Bazar, and after, when she decides she'll become one.

Samira Surfs, written by Rukhsanna Guidroz with illustrations by Fahmida Azim, is a tender novel in verse about a young Rohingya girl's journey from isolation and persecution to sisterhood, and from fear to power.
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Samira Surfs

Samira Surfs

by Rukhsanna Guidroz

Narrated by Reena Dutt

Unabridged — 4 hours, 54 minutes

Samira Surfs

Samira Surfs

by Rukhsanna Guidroz

Narrated by Reena Dutt

Unabridged — 4 hours, 54 minutes

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Overview

A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls.

Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama, baba, and brother, there's before Samira saw the Bengali surfer girls of Cox's Bazar, and after, when she decides she'll become one.

Samira Surfs, written by Rukhsanna Guidroz with illustrations by Fahmida Azim, is a tender novel in verse about a young Rohingya girl's journey from isolation and persecution to sisterhood, and from fear to power.

Editorial Reviews

Publishers Weekly

★ 07/26/2021

In 2012, Samira, 11, grows up in Cox’s Bazar, Bangladesh, a town ravaged by climate change, with her parents and brother, Khaled, all of whom are unregistered Rohingya refugees after fleeing Burma by boat. Struggling to make ends meet, Samira’s father fishes for shrimp, her brother buses tables at Seaview Hotel, and Samira sells eggs to tourists on the beach, hoping to earn enough to purchase salt for her family. Scarred by the loss of her grandparents during the boat trip from Burma, Samira steers clear of water. She yearns to attend school, but both a lack of funds and her father’s sexism prevent that. When Khaled learns to surf, Samira is initially ambivalent, still wishing she could learn English and Chittagonian like him instead. Until, that is, her friends and fellow beach merchants also begin to surf, discovering a secret pleasure in a community where even swimming is considered taboo for girls and women. With immersive b&w illustrations by Azim, the novel-in-verse stays riveting throughout, as Guldroz (Mina vs. the Monsoon) deftly employs sensory diction and spare poetic touches (“Did you know eyes can be spiky?”) to center Samira’s richly told story. Back matter includes an author’s note and further reading. Ages 8–12. Agent: Wendi Gu, Sanford J. Greenburger Associates. (June)

From the Publisher

An ALA RISE: A Feminist Book Project List 2022 selection
An NCTE Notable Poetry Book and Verse Novel of 2022 selection  
A Center for the Study of Multicultural Literature Best Books of 2021 selection  
A Society of Illustrators Original Art show 2021 selection
A Publishers Weekly Best Books of 2021 selection 
2022 NCSS-CBC Notable Social Studies Trade Books List


 
★ “A compelling novel that spotlights the history and contemporary circumstances of the Rohingya while tackling universal themes of friendship, belonging, and identity.” —School Library Journal, starred review
 
“[T]his novel shines a light on a subject rarely addressed in middle grade fiction.” —Booklist

“This novel is peopled with layered, fully formed characters who experience trauma and triumph in equal measure . . . A compassionate and well-rounded picture of refugee life.” —Kirkus Reviews

School Library Journal

★ 06/01/2021

Gr 4–8—It's been three months since 11-year-old Samira and her family fled persecution in their homeland of Burma; three months since they paid a man to board a boat to cross the Naf River, seeking safety and a better life in Bangladesh; and three months since that same river swallowed her grandparents alive and dragged them to the bottom of the sea. In Bangladesh, Samira and her family do their best to make a life as unregistered refugees living outside of the refugee camps: Samira sells hard-boiled eggs along the beach to tourists; her brother cleans dishes and tables at a local café, and her father performs grueling work on shrimping boats. As refugees, they face resentment, suspicion, and threats of violence by some members of the local Bengali population, who view them as competition for scarce resources. Meanwhile, Samira struggles to pursue her own dreams, which conflict with her parents' cultural expectations. New friendships along the beach offer community and the opportunity to surf, an activity that gives Samira freedom and the chance to face and overcome her fears. Written in verse, this well-paced novel weaves Burmese history and the plight of the Rohingya, a persecuted predominately Muslim ethnic minority. Characters are multidimensional and are portrayed with nuance and empathy. Illustrations offer additional texture and help bring the plot to life. Although this is a work of fiction, it will hopefully inspire readers to learn more about the "surfer girls of Bangladesh," the Rohingya people, and Southeast Asian history. VERDICT A compelling novel that spotlights the history and contemporary circumstances of the Rohingya while tackling universal themes of friendship, belonging, and identity. Pair with other works about trailblazing young women, such as Julie Abery's Yusra Swims or a biography of Malala Yousafzai.—Mahasin A. Aleem, Oakland P.L., CA

Kirkus Reviews

2021-04-27
After fleeing Burma by boat, 11-year-old Samira and her Rohingya family are settling into their new life in Cox’s Bazar, Bangladesh, in 2012.

Samira is glad she can help support her family by selling hard-boiled eggs on the nearby beach but longs to attend school. But even if they didn’t desperately need the money Samira contributes, her father believes that, given their future opportunities, education only benefits boys. Because the refugee camps for Rohingyas escaping brutal persecution are full, Samira and her family are unregistered people. Despite hoping for better treatment in a predominantly Muslim country, they must live outside the camp, are banned from formal employment, and find that some locals resent their presence. Samira misses her family back home and her best friend, whose whereabouts are unknown. She makes friends with a group of Rohingya and Bangladeshi surfers, and the announcement of a surfing contest with a cash prize motivates her to overcome her fear of the water and learn too; winning could prove to her family that girls, like boys, can change their families’ fortunes. Azim’s charming illustrations bring Samira’s world to life, showing the beauty of the natural surroundings and her childlike enthusiasm. This novel is peopled with layered, fully formed characters who experience trauma and triumph in equal measure. Samira’s internal growth and changing relationships are well plotted, and her narratorial voice is earnest and bold.

A compassionate and well-rounded picture of refugee life. (author's note, further reading) (Verse novel. 9-14)

Product Details

BN ID: 2940177423418
Publisher: Penguin Random House
Publication date: 06/29/2021
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

Cox’s Bazar, Bangladesh

January 2012

 

Inside Our House

Our house, made of bamboo

chopped by Baba’s bare hands,

sits on a hill with other houses

just like ours.

The roof is crinkly blue plastic,

noisy in the wind,

hot in the afternoon sun.

Rain drips through its holes,

making dirt puddles

on the ground.

Inside, we have a single room

for the four of us.

Mama and Baba’s sleeping mat

covers one corner.

Close by, Mama’s silver pot

and Baba’s old spit cup,

stained red from his betel leaf.

Khaled stores a cricket bat

in his corner.

Next to it, on the floor, is

my brother’s blue notebook.

He tucked it in the waistband

of his longyi

and brought it all the way from

Burma.

What’s mine is a stool that holds

my special blanket,

Nani’s gift to baby me.

It’s torn and frayed,

but when I brush it against my skin

on cool winter nights,

me and Nani are together again,

cheek to cheek.

My stomach twists

when I think about

what little

made it here with us.

But things don’t make a home.

Family does,

even those still in Burma.

Nani and Nana do,

even though they are gone.

 

Eggs

Our eggs go plop-plop into water,

bubble and mist as they simmer

in Mama’s silver pot.

When they’re ready,

she spoons them out

and sets them in my bucket.

Our livelihood lies between

these brittle white shells.

My job is to sell

as many hard-boiled eggs as I can

to beachgoers

in Cox’s Bazar.

Each oval brings

money to my palm

and food

to the bellies

in my family.

 

Salt

Last night, Baba said,

“If you sell all your eggs, Samira,

we can buy extra salt to keep.”

He was squatting on the floor,

wrapping coconut, fennel, and nuts in betel leaf.

It’s his favorite treat.

A spiral of joy rose in my belly.

Salt crystals transform Mama’s dahl.

Beneath my crossed legs,

the prickly straw mat

suddenly felt smooth.

A bucket of eggs

turns into bundles of taka

turns into pinches of salt

turns into mouthfuls of joy.

I send out a wish

to sell all my eggs.

Come extra hungry to the beach, tourists!

 

Scoot Low

Every morning,

a narrow milky stream

of drip-drop pouring cha

tumbles from high

to greet me.

This is how Mama pours it.

Moments with her at dawn

bathe our day in sweetness.

Baba is the first to leave.

Shrimping is early work.

Next, Khaled,

to clean dishes and tables

for the café at Seaview Hotel.

Mama kisses me on the cheek.

“Stay safe, Samira,” she says.

I’m the last to go.

Low, low I scoot,

zigzagging 

down our sneaky steep hill.

My walk is filled with

sky, wrapped in pearly indigo

air, crisp and still,

and birds chirping

every morning.

 

Knowing

I step past the woods

to meet a wide stretch

of golden-gray sand.

The beach goes beyond where I can see.

Khaled says it’s the longest in the world!

Café doors creak open.

Outside, whining

packs of stray dogs

beg for food,

waiting for scraps

that miss the rubbish.

Fishermen throw out nets

for their daily catch.

The sea, sparkly in the morning sun,

breaks in little waves near the shore.

My eyes follow their slow, gentle peeling.

My ears tune in the gentle roar

of water tumbling on sand.

It sounds like water lapping at a boat,

like the one we boarded to cross the river

when we left Burma,

just me, Khaled, Mama, and Baba,

and Nani and Nana.

The others stayed behind:

Hasina Auntie, Jamal Uncle,

my cousin Shoba,

and my best friend, Sahara.

It’s been three months

since the river tossed our boat,

our chests sinking, stomachs plummeting.

Water can be dangerous

and beautiful at the same time.

For now, I stay as far away

as I can.

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