The Witch of Blackbird Pond

The Witch of Blackbird Pond

by Elizabeth George Speare

Narrated by Mary Beth Hurt

Unabridged — 6 hours, 33 minutes

The Witch of Blackbird Pond

The Witch of Blackbird Pond

by Elizabeth George Speare

Narrated by Mary Beth Hurt

Unabridged — 6 hours, 33 minutes

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Overview

Kit Tyler must leave behind shimmering Caribbean islands to join the stern Puritan community of her relatives. She soon feels caged, until she meets the old woman known as the Witch of Blackbird Pond. But when their friendship is discovered, Kit herself is accused of witchcraft!

Editorial Reviews

School Library Journal

Gr 5-8-Mary Beth Hurt gives an excellent performance in this reading of the Newbery Award-winning novel by Elizabeth George Speare (HM, 1958). The setting is the Colony of Connecticut in 1687 amid the political and religious conflicts of that day. Sixteen-year-old Kit Tyler unexpectedly arrives at her aunt and uncle's doorstep and is unprepared for the new world which awaits her. Having been raised by her grandfather in Barbados, she doesn't understand the conflict between those loyal to the king and those who defend the Connecticut Charter. Unprepared for the religious intolerance and rigidity of the Puritan community, she is constantly astounding her aunt, uncle, and cousins with her dress, behavior, and ideas. She takes comfort in her secret friendship with the widow, Hannah Tupper, who has been expelled from Massachusetts because she is a Quaker and suspected of being a witch. When a deathly sickness strikes the village, first Hannah and then Kit are accused of being witches. Through these conflicts and experiences, Kit comes to know and accept herself. She learns not to make hasty judgments about people, and that there are always two sides to every conflict. There are several minor plots as well, including three romances, which help to bring this time and place to life. Hurt's use of vocal inflection and expression make this an excellent choice for listening whether as an enrichment to the social studies curriculum or purely for pleasure.-Maureen Cash Moffet, St. Anne's Catholic School, Bristol, VA Copyright 2003 Reed Business Information.

Barry Moser illustrates this reissue of a Newbery Award-winning story of a girl marked by suspicion from the moment she enters colonial Connecticut in 1687. Her unconventional ways lead to conflict and trouble for the lonely girl in this moving story which combines a powerful plot and strong characterization with insights on social change.

From the Publisher

The book has a lively plot and excellent characterizations. The background has every dimension of reality.” — New York Times

"Strong plot, fully realized characters, and convincing atmosphere distinguish this historical narrative." — Booklist

“Rarely has a book taken us back into seventeenth-century life as this does.” — Herald Tribune

"Kit's vindication, her gradual integration into the community and the positive effect she has on those about her, combine here in a well documented novel." — Kirkus Reviews

Herald Tribune

Rarely has a book taken us back into seventeenth-century life as this does.

New York Times

The book has a lively plot and excellent characterizations. The background has every dimension of reality.

Booklist

"Strong plot, fully realized characters, and convincing atmosphere distinguish this historical narrative."

FEB/MAR 03 - AudioFile

Into the somber, hard, emotionally deadened world of the American Puritans drops Kit--a charming, vibrant young woman from the Caribbean. Narrator Mary Beth Hurt sets the tone from the beginning, emphasizing Kit’s enthusiasm, intelligence, and independent nature. Her clipped speech and sometimes breathy delivery draw a vivid picture of this lively young woman, forced to tamp down her spirit to fit into this negative, overbearing society. Hurt creates individual and clearly recognizable voices for all the characters, from Hannah’s gentle, kind spirit to Matthew’s solid but intimidating presence; and she skillfully develops Prudence from an obedient, fearful child without hope to a bright, caring, and courageous young girl. Speare’s classic adapts well to audio, and Hurt gives it life, and hope. W.L.S. © AudioFile 2003, Portland, Maine

Product Details

BN ID: 2940172048043
Publisher: Penguin Random House
Publication date: 07/23/2002
Edition description: Unabridged
Sales rank: 919,668
Age Range: 10 - 13 Years

Read an Excerpt

On a morning in mid-April; 1687, the brigantine Dolphin left the open sea, sailed briskly across the Sound to the wide mouth of the Connecticut River and into Saybrook harbor. Kit Tyler had been on the forecastle deck since daybreak, standing close to the rail, staring hungrily at the first sight of land for five weeks.

"There's Connecticut Colony," a voice spoke in her ear . "You've come a long way to see it."

She looked up, surprised and flattered. On the whole long voyage the captain's son had spoken scarcely a dozen words to her, She had noticed him often, his thin wiry figure swinging easily hand over hand up the rigging, his sandy, sun-bleached head bent over a coil of rope. Nathaniel Eaton, first mate, but his mother called him Nat. Now, seeing him so close beside her, she was surprised that, for all he looked so slight, the top of her head barely reached his shoulder.

"How does it look to you?" he questioned.

Kit hesitated. She didn't want to admit how disappointing she found this first glimpse of America. The bleak line of shore surrounding *the gray harbor was a disheartening contrast to the shimmering green and white that fringed the turquoise bay of Barbados which was her home. The earthen wall of the fortification that faced the river was bare and ugly, and the houses beyond were no more than plain wooden boxes.

"Is that Wethersfield?" she inquired instead.

"Oh, no, Wethersfield is some way up the river. This is the port of Saybrook. Home to us Eatons. There's my father's shipyard, just beyond the dock."

She could just make out the row of unimpressive shacks and the flash ofraw new lumber. Her smile was admiring from pure relief. At least this grim place was not her destination, and surely the colony at Wethersfield would prove more inviting.

"We've made good time this year," Nat went on. "It's been a fair passage, hasn't it?"

"Oh, yes," she sparkled. "Though I'm glad now 'tis over."

"Aye," he agreed. "I never know myself which is best, the setting out or the coming back to harbor. Ever been on a ship before?"

"Just the little pinnaces in the islands. I've sailed' on those all my life."

He nodded. "That's where you learned to keep your balance."

So he had noticed! To her pride, she had proved to be a natural sailor. Certainly she had not spent the voyage groaning and retching like some of the passengers.

"You're not afraid of the wind and the salt, anyway. At least, you haven't spent much time below."

"Not if I could help it," she laughed. Did he think anyone would stay in that stuffy cabin by choice? Would she ever have had the courage to sail at all had she known, before she booked passage, that the sugar and molasses -in the hold had been paid for by a load of Connecticut horses, and that all the winds of the Atlantic could never blow the ship clean of that unbearable stench? "That's what I minded most about the storm," she added, "four days shut away down there with the deadlights up."

"Were you scared?"

"Scared to death. Especially when the ship stood right on end, and the water leaked under the cabin door. But now I wouldn't have missed it for anything. 'Twas the most exciting thing I ever knew."

His face lighted with admiration, but all for the ship. "She's a stout one, the Dolphin," he said "She's come through many a worse blow than that." His eyes dwelt fondly on the topsails.

"What is happening?" Kit asked, noting the sudden activity along the deck, -Four husky sailors in blue jackets and bright kerchiefs had hurried forward to man the capstan bars. Captain Eaton, in his good blue coat, was shouting orders from the quarterdeck. "Are we stopping here?"

"There are passengers to go ashore," Nat explained. "And we need food and water for the trip upriver. But we've missed the tide, and the wind is blowing too hard from the west for us to make the landing. We're going to anchor out here and take the longboat in to shore. That means I'd better look to the oars." He swung away, moving lightly and confidently; there was a bounce in his step that matched the laughter in his eyes.
With dismay, Kit saw the captain's wife among the passengers preparing to disembark. Must she say goodbye so soon to to Mistress Eaton? They had shared the bond of being the only two women aboard the Dolphin and the older woman had been sociable and kindly. Now, catching Kit's eye, she came hurrying along the deck.

"Are you leaving the ship, Mistress Eaton?" Kit greeted her wistfully.

"Aye, didn't I tell you I'd be leaving you at Say brook? But don't look so sad, child. 'Tis not far to Wethersfield, and we'll be meeting again."

"But I thought the Dolphin was your home!"

"In the wintertime it is, when we sail to the West Indies. But I was born in Saybrook, and in the spring I get to hankering for my house and garden. Besides,, l'd never let on to my husband, but the summer trips are tedious, just back and forth up and down the river. I stay at home and tend my vegetables and my spinning like a proper housewife. Then, come November, when he sails for Barbados again, I'm ready enough to. go with him. 'Tis a good life, and one of the best things about it is coming home in the springtime.

Kit glanced again — at the forbidding shore. She could see nothing about it to put such a twinkle of anticipation in anyone's eye. Could there be some charm that was not visible from out here in the harbor? She spoke on a sudden impulse.

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